a rare south indian, nayak period, bronze figure of sivanataraja
Property from the Makler Family Collection
a rare south indian, nayak period, bronze figure of sivanataraja

CIRCA 17TH CENTURY

Details
a rare south indian, nayak period, bronze figure of sivanataraja
circa 17th century
Dancing with one leg on apasmarapurusha, who is reclining on a lotus base holding serpent and knife, resting on a stepped rectangular base, moulded with holes for poles to carry it around, his principle hands in front of his body of which one is in abhayamudra, both others holding damaru and agni, while the last shows the gajahastamudra, wearing dhoti, many body ornaments, including bracelets, armlets, bangles, udarabhanda, necklaces, scarf and a cobra encircling his wrist, his face with smiling expression, almond-shaped eyes, aquiline nose, one of his elongated earlobes with makara-shaped ear ring, the other circular, his hairdress in topknot, moulded with two flowers and a skull encircled by a serpent in front, and extended horizontally by wavy hairstrings, moulded with the worshipping goddess Ganga and the moon on the other side, behind a large flaming aureol issued by a makara
92 cm high
Provenance
C.T. Loo, New York, 1959

Lot Essay

Saivism remained popular in South India until present day. Its principle god, Siva, is worshipped in many forms. He became most appreciated in his form as the Lord of Dance, like the one under review. It was only during the Chola Dynasty that we see for the first time examples casted in bronze. Before than only stone figures were known. Today we find the Lord of Dance in all South Indian temples as he represents many qualities.
In this form he is known as the creator of the universe and dances the world into existence, but at the same time he is also its destructor. Much symbolic is attached to Sivanataraja. His drum stands for the creation of the world. His open palm protects human being while his stretched downward hand symbolizes the solace of the world. His other hand holds the fire symbolizing the dissolving of the world. The dwarf on which he is trampling represents ignorance and the large flaming aureol the cosmos. In the hairdress of Siva is visible a skull which emphasizes his role as embodiment of Time and Death. Also present in his hairdress is the goddess Ganga who fell from heaven to earth through his hair.
Altogether one can say that this form of Siva captures best the idea of Hinduism, through its form and symbolic. He stands here for creation, sustenance and destruction of the cosmos. Even his emotionless face reflects the impersonality of the above mentioned process.

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