a fine tibeto chinese gilt-bronze figure of vajrasattva
a fine tibeto chinese gilt-bronze figure of vajrasattva

A.D. 1403-1424

Details
a fine tibeto chinese gilt-bronze figure of vajrasattva
a.d. 1403-1424
Seated in vajrasana on a lotus, his body in slight tribhanga, beautifully rendered fingers holding the vajra with his right hand in front of his breast, while his left rests on his lap and holds the ghanta, wearing pleated dhoti, scarf with both ends curled over the arms and falling on the pericarp of the lotus, many body ornaments, his face with serene expression, urna, smiling lips, elongated earlobes with circular ear rings, five-leaf crown in front with three-leaf similar shaped elements at the backside, pattras, the hairdress buttoned in a chignon with traces of blue pigments, unsealed, the front of base with six-character mark of Yongle and of the period
25 cm high

Lot Essay

Vajrasattva is one of the Primordial Buddhas and considered as a tantric divinity. He is a Buddha but at the same time a bodhisattva as he helps human beings on the Path to Enlightment. Many hymns and verses are dedicated to him. His attributes, the 'thunderbolt' and bell symbolize compassion and wisdom, but also the male and female aspects. Here he is depicted with rich ornamentations emphasizing his bodhisattva aspect.
Both vajra and ghanta are well moulded as one can expect from the imperial foundries in and around Beijing, where this divine image was casted. All these bronzes, including the one under review, are superbly casted and combine Tibetan and Chinese elements. The iconography and iconology were taken from Tibetan texts, while stylistic the ornamentation and shape of his face show Chinese influences. Also the double row of pearls running along the borders are typical for these Tibeto Chinese bronzes.

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