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A SET OF SIX GEORGE III OCHRE-PAINTED OPEN ARMCHAIRS

CIRCA 1795

細節
A SET OF SIX GEORGE III OCHRE-PAINTED OPEN ARMCHAIRS
CIRCA 1795
Each toprail with paper panel painted with a Roman red-figure vase-style scene, the caned seat covered in buttoned cotton, on turned tapering legs, losses and refreshments to decoration
33 in. (84 cm.) high; 22 in. (56 cm.) wide; 21½ in. (55 cm.) deep (6)
來源
Acquired through Pierre Delbée by Don Bartolomé March Servera for the Library in Miguel Angel, Madrid, circa 1965.

注意事項
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

榮譽呈獻

Flora Elek
Flora Elek

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拍品專文

These elegant cabriolet chairs, with French-fashioned squab-cushions, relate to patterns for chairs finished in japan painting issued by Thomas Sheraton in the Appendix to his Cabinet-Maker and Upholsterers Drawing Book ,1793 ( 2nd ed. 1794, 3rd ed.. 1802). Their Grecian klismos tablet rails and arcaded pilaster splats relate to his New Designs for Chair Backs (pl. 49); while the urn-pillared arms featured in one of his Drawing Room Chair patterns intended for printed chintz upholstery (pl. 6). Like contemporary pen-work decoration, the tablets are decorated in antique manner with festive scenes and a sacrifice at a Pan herm in the manner of the Etruscan wares of Josiah Wedgwood. Messrs Gillows 1795 Estimate book has a related japanned and cane-seated chair pattern, with the same arms, but with its arcaded splat trellised in sacrificial Pompeian-tripod fashion as popularised by the architect Sir John Soane (see S. E. Stuart, Gillows of Lancaster and London , 2 vols. Woodbridge, 2008 (vol. 1, p.185 pl. 165).