A MINO WAKIZASHI

MOMOYAMA PERIOD (LATE 16TH-EARLY 17TH CENTURY), SIGNED DAIDO SAKU

細節
A MINO WAKIZASHI
MOMOYAMA PERIOD (LATE 16TH-EARLY 17TH CENTURY), signed Daido saku
Sugata [configuration]: Hira-zukuri, iori-mune, even curve, roundly curved kissaki
Kitae [forging pattern]: Itame
Hamon [tempering pattern]: gunome-ba of nioi with nie
Boshi [tip]: Ko-maru with long kaeri
Nakago [tang]: Ubu, higaki file marks, two mekugi-ana, shallow kurijiri
Habaki [collar]: Double gold clad copper
Nagasa [length of blade]: 31cm
Horimono [carving]: Bohi kakinagasu both sides of blade
Koshirae [mounting]: In its wakizashi mounting with ribbed lacquered scabbard, metal fittings, hilt and upper part of scabbard with Nanban motifs of a European sailing ship, groups of Westerners and a group with a rider on an elephant

The blade accompanied by a certificate of registration as a Tokubetsu kicho token (Especially important sword) no. 213468 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated 1971.5.16 (2)

拍品專文

The smith Kanemichi of Seki in Mino province migrated to Kyoto sometime around the 1570s and 1580s. He was given the name "Daido" ("Great Way"), with a play on the second character of his name alternately read "michi," or "way." Daido was the father of four sons of whom Iga no kami Kinmichi and his successors became influential in the granting of honorific titles to swordsmiths throughout the Edo period.

The squarish gunome of the hamon of this blade is very much in Mino style, and the rather pointed boshi with the long straight return is close to the later boshi of the schools of Daido's sons. The first generation was followed by later smiths who worked much in the same style.