THE PROPERTY OF A DISTINGUISHED PRIVATE COLLECTOR
A FINE AND RARE MING-STYLE UNDERGLAZE COPPER-RED VASE, MEIPING

細節
清乾隆 釉裏紅纏枝蓮紋梅瓶 六字篆書款

瓶小口,短頸,豐肩,斂腹。通體五層釉裏紅紋飾,頸飾四朵十字花,頸肩處繪花瓣紋,肩飾如意雲頭組成的蓮瓣紋,腹部滿飾纏枝蓮紋,足牆繪蕉葉紋,紋飾間以雙弦紋相間。底青花書《大清乾隆年製》篆書款。

此器造型穩重,釉裏紅呈色均勻淡雅,畫工精細,流暢自然,為乾隆釉裏紅之佳作。

此器1994年5月1日於香港佳士得拍賣,拍品65號,2004年11月1日再次拍賣,拍品879號。
來源
Previously sold at Christie's Hong Kong, 1 May 1994, lot 659; and again 1 November 2004, lot 879.

榮譽呈獻

Carrie Li
Carrie Li

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拍品專文

Qing dynasty underglaze-red ceramics decorated with the use of fine 'pencil-line' drawings are very rare. This decorative technique can be found as early as the Kangxi period, as seen on a large fish jar, a floral-decorated waterpot and a dragon bowl, all in the Beijing Palace Museum collection, illustrated in Blue and White Porcelain with Underglaze Red (III), The Complete Collection of Treasures of the Palace Museum, Hong Kong, 2000, nos. 167, 168 and 169 respectively. It was also adopted in the Yongzheng reign, see ibid., no. 170, a pear-shaped vase and no. 171, a meiping.

Compare four Qianlong-marked copper-red vessels decorated in this carefully drawn pencil decoration, the first a moonflask from the C. P. Lin collection, included in the exhibition, Elegant Form and Harmonious Decoration, Percival David Foundation, 1992, and illustrated in the Catalogue, p. 149, no. 171. The second example, a monk's cap ewer in the Metropolitan Museum of Art, illustrated in Sekai Toji Zenshu, Shogakukan series, vol. 15, 1983, p. 82, fig. 90; the third, a baluster vase included in the exhibition, K'ang-hsi, Yung-cheng and Ch'ien-lung Porcelain Ware From the Ch'ing Dynasty in the National Palace Museum, Taiwan, 1986, and illustrated in the Catalogue, no. 73; and a yuhuchunping sold at Christie's Hong Kong, 27 May 2009, lot 1831.

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