PROPERTY FROM THE MUWENTANG COLLECTION
A VERY RARE IMPERIAL CARVED POLYCHROME IVORY PANEL WITHIN A ZITAN FRAME

細節
清乾隆 /嘉慶 象牙雕村居圖掛屏

掛屏長方形,紫檀為框。框上雕綬帶紋連接十個長方形開光,開光內嵌描金蓮花紋玻璃。屏心以染牙雕刻,鑲嵌村居生活圖。畫面遠山近水,綠樹房舍,田地肥沃;村民各自忙得不亦樂乎,訪友、祭祀、飼豬、弈棋、烹煮,孩童在外嬉戲;一片繁榮熱鬧的景象。

此屏以鑲嵌、浮雕等技法雕琢而成,做工精細,佈局深遠有序,表現了廣東工藝的特色。

此屏為英國王属皇家來復槍隊第2營C. H. Cox 上尉之舊藏,於1860年由中國帶回英國,後為沐文堂收藏,並著錄 於1990年香港中文大學文物館出版之《關氏所藏中國牙雕》圖版141。
來源
Lieutenant C. H. Cox
Spink & Son Ltd
出版
Octagon, Spink & Son Ltd, Vol. XX, Number 2, October 1983, no. 8
展覽
Art Gallery, the Chinese University of Hong Kong, Chinese Ivories from the Kwan Collection, 28 July - 14 October 1990, Hong Kong, Catalogue, no. 141

榮譽呈獻

Carrie Li
Carrie Li

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拍品專文

As published by Octogan, 1983, the present wall panel was reputed to have been taken from the Summer Palace in 1860 by Lieutenant C. H. Cox of the 2nd Battalion, 60th King's Royal Riffles.

A very closely related rectangular floor screen from the Beijing Palace Museum collection, similarly decorated with painted ivory appliques to render a scene of the "Thirteen Factories" in Guangzhou was included in the exhibition, Tributes from Guangdong to the Qing Court, Art Gallery, the Chinese University of Hong Kong, 1987, p. 102, no. 86. Evidently, panels of this type are typical examples of the creative works that were produced by Guangzhou artisans during the late Qianlong to early Jiaqing reigns. Table screens of this decorative technique are also illustrated in Bamboo, Wood, Ivory and Rhinoceros Horn Carvings, The Complete Collection of Treasures of the Palace Museum, Hong Kong, 2001, pp. 238-245, nos. 189-196.

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