PROPERTY FROM THE MUWENTANG COLLECTION
A VERY RARE IMPERIAL CARVED POLYCHROME IVORY PANEL WITHIN A ZITAN FRAME

Details
A VERY RARE IMPERIAL CARVED POLYCHROME IVORY PANEL WITHIN A ZITAN FRAME
QIANLONG/JIAQING PERIOD (1736-1820)

Superbly rendered with appliques of carved ivory against a painted glass and paper background to depict a busy scene of village activities, including a sacrificial ceremony, cooking, gathering of crockery, feeding of pigs in a pen, playing a game of weiqi and children variously at play, all set within peaked mountains in the mid and far distance and detailed with tall trees; mounted within a zitan frame, exquisitely carved in shallow relief with ribbons intricately tied around ten evenly divided verre églomisé panels, the corners with interlinked pairs of kui dragons, the upper frame attached with a pair of ruyi-head shaped metal handles
39 1/2 x 26 1/2 (100 x 67 cm.)
Provenance
Lieutenant C. H. Cox
Spink & Son Ltd
Literature
Octagon, Spink & Son Ltd, Vol. XX, Number 2, October 1983, no. 8
Exhibited
Art Gallery, the Chinese University of Hong Kong, Chinese Ivories from the Kwan Collection, 28 July - 14 October 1990, Hong Kong, Catalogue, no. 141

Brought to you by

Carrie Li
Carrie Li

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

As published by Octogan, 1983, the present wall panel was reputed to have been taken from the Summer Palace in 1860 by Lieutenant C. H. Cox of the 2nd Battalion, 60th King's Royal Riffles.

A very closely related rectangular floor screen from the Beijing Palace Museum collection, similarly decorated with painted ivory appliques to render a scene of the "Thirteen Factories" in Guangzhou was included in the exhibition, Tributes from Guangdong to the Qing Court, Art Gallery, the Chinese University of Hong Kong, 1987, p. 102, no. 86. Evidently, panels of this type are typical examples of the creative works that were produced by Guangzhou artisans during the late Qianlong to early Jiaqing reigns. Table screens of this decorative technique are also illustrated in Bamboo, Wood, Ivory and Rhinoceros Horn Carvings, The Complete Collection of Treasures of the Palace Museum, Hong Kong, 2001, pp. 238-245, nos. 189-196.

More from Important Chinese Ceramics and Works of Art

View All
View All