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US$645,100-774,100
細節
元
任仁發
五王醉歸圖
設色紙本
手卷
鈐印：任氏子明、月山道人
題跋：陳繼儒 (1558-1639)：唐文皇石刻昭陵六馬，故子孫多馬癖，代宗有九花虬，德宗有神智驄、如意騮。飾以黃金勒，控以紫玉鞭，豢以一品料。故其圖流傳人間，歌詠不絕。此卷唐人筆，題跋剪截已去，幸人馬尚爾平安，無錫王麟郭先生世藏，其孫福州守曼浤公能永護之，環回諦玩，姿態毛骨如生，所謂寫渥洼之狀，不在水中，移騕褭之形，出於天上。定為曹霸所作，即公麟輩未能與之絕塵而爭驅也。雲間陳繼儒題於頑仙廬。
鈐印：眉道人、陳繼儒印
無款明人題：此卷予既請眉公先生題識，信其筆法之妙非近代丹青家所辨。獨云：出自唐人手，未有確據，攷其楮尾印章二：一任氏子明，一月山道人。暇日偶閱李九疑紫桃軒襍綴，迺知為元人任水監也，按襍綴云：元任仁發字子明號月山，世居松之青龍鎮，年十八中鄊試貳，都水監開江置閘，凡水議，仁發主之。善繪事，嘗奉旨入內畫渥洼天馬圖。所著有水利書十卷。今人止稱任水監，畫馬蓋以藝掩云。然則任以畫馬得名甚著，而眉公未及詳核，因附記於此。崇禎壬申 (1632年) 二月之七日輞川館主人記。
藏印：梁清標 (1620-1691)：蕉林玉立氏圖書、觀其大略、安定、蕉林秘玩、蒼巖、蒼巖子、棠邨審定、河北棠邨
耿昭忠 (1640-1687)：耿昭忠信公氏一字在良別號長白山長收藏書畫印、信公鑒定珍藏 (三次)
弘曆 (乾隆皇帝 1711-1799)：乾隆御覽之寶、乾隆鑑賞、石渠寶芨、石渠定鑑、寶芨重編、三希堂精鑑璽、乾清宮鑑藏寶、宜子孫
顒琰 (嘉慶皇帝 1760-1820)：嘉慶御覽之寶
溥儀 (宣統皇帝1906-1967)：宣統御覽之寶、宣統鑑賞、無逸齋精鑑璽
其他：天目山人、侯士泰鑑藏、尊古堂真賞、半古軒書畫印、棠、半印八方
出版：《石渠寶芨》續篇 《秘殿珠林石渠寶笈合編》第1卷，上海出版社，1988年，第349頁。
高居翰《唐宋元 — 中國早期書畫目錄》，加州大學出版社，1980年，第287頁。
Sherman E. Lee、何惠鑒《任仁發、三馬四士》克里夫蘭藝術館場刋，1961年，第71頁，註4。
註：任仁發，字子明，號月山道人，青龍鎮 (今上海市青浦縣) 人。元代著名水利專家和畫家，以擅畫鞍馬著稱於世。任仁發年輕時便才華橫溢，稟賦非凡，17歲考取舉人，歷任中憲大夫，浙東宣尉副使等朝廷要職。其一生主要從事水利興修，曾主持過吳淞江、通惠河，黃河等工程，直到去世前一年才離職返鄉，在中國水利史上有著突出的貢獻。任仁發政務餘暇時愛好詩文書畫，擅長毛筆書法，尤精於畫人物和鞍馬，是唐代畫家韓幹之後又一位以鞍馬畫著稱的繪畫大師。其繪畫用筆遒勁，線條簡練，設色典雅，形象真實生動，傳神刻畫出人物的鮮明個性和所處的環境背景。其作品收藏於俄亥俄州的克裡福蘭藝術博物館，肯薩斯城的尼爾森阿特金斯藝術博物館，以及北京的故宮博物院。這些藏品中的人物形象和馬匹以及整體繪畫風格都非常相似，一致體現出任仁發一貫的簡練、生動、秀雅的藝術風格。
任仁發
五王醉歸圖
設色紙本
手卷
鈐印：任氏子明、月山道人
題跋：陳繼儒 (1558-1639)：唐文皇石刻昭陵六馬，故子孫多馬癖，代宗有九花虬，德宗有神智驄、如意騮。飾以黃金勒，控以紫玉鞭，豢以一品料。故其圖流傳人間，歌詠不絕。此卷唐人筆，題跋剪截已去，幸人馬尚爾平安，無錫王麟郭先生世藏，其孫福州守曼浤公能永護之，環回諦玩，姿態毛骨如生，所謂寫渥洼之狀，不在水中，移騕褭之形，出於天上。定為曹霸所作，即公麟輩未能與之絕塵而爭驅也。雲間陳繼儒題於頑仙廬。
鈐印：眉道人、陳繼儒印
無款明人題：此卷予既請眉公先生題識，信其筆法之妙非近代丹青家所辨。獨云：出自唐人手，未有確據，攷其楮尾印章二：一任氏子明，一月山道人。暇日偶閱李九疑紫桃軒襍綴，迺知為元人任水監也，按襍綴云：元任仁發字子明號月山，世居松之青龍鎮，年十八中鄊試貳，都水監開江置閘，凡水議，仁發主之。善繪事，嘗奉旨入內畫渥洼天馬圖。所著有水利書十卷。今人止稱任水監，畫馬蓋以藝掩云。然則任以畫馬得名甚著，而眉公未及詳核，因附記於此。崇禎壬申 (1632年) 二月之七日輞川館主人記。
藏印：梁清標 (1620-1691)：蕉林玉立氏圖書、觀其大略、安定、蕉林秘玩、蒼巖、蒼巖子、棠邨審定、河北棠邨
耿昭忠 (1640-1687)：耿昭忠信公氏一字在良別號長白山長收藏書畫印、信公鑒定珍藏 (三次)
弘曆 (乾隆皇帝 1711-1799)：乾隆御覽之寶、乾隆鑑賞、石渠寶芨、石渠定鑑、寶芨重編、三希堂精鑑璽、乾清宮鑑藏寶、宜子孫
顒琰 (嘉慶皇帝 1760-1820)：嘉慶御覽之寶
溥儀 (宣統皇帝1906-1967)：宣統御覽之寶、宣統鑑賞、無逸齋精鑑璽
其他：天目山人、侯士泰鑑藏、尊古堂真賞、半古軒書畫印、棠、半印八方
出版：《石渠寶芨》續篇 《秘殿珠林石渠寶笈合編》第1卷，上海出版社，1988年，第349頁。
高居翰《唐宋元 — 中國早期書畫目錄》，加州大學出版社，1980年，第287頁。
Sherman E. Lee、何惠鑒《任仁發、三馬四士》克里夫蘭藝術館場刋，1961年，第71頁，註4。
註：任仁發，字子明，號月山道人，青龍鎮 (今上海市青浦縣) 人。元代著名水利專家和畫家，以擅畫鞍馬著稱於世。任仁發年輕時便才華橫溢，稟賦非凡，17歲考取舉人，歷任中憲大夫，浙東宣尉副使等朝廷要職。其一生主要從事水利興修，曾主持過吳淞江、通惠河，黃河等工程，直到去世前一年才離職返鄉，在中國水利史上有著突出的貢獻。任仁發政務餘暇時愛好詩文書畫，擅長毛筆書法，尤精於畫人物和鞍馬，是唐代畫家韓幹之後又一位以鞍馬畫著稱的繪畫大師。其繪畫用筆遒勁，線條簡練，設色典雅，形象真實生動，傳神刻畫出人物的鮮明個性和所處的環境背景。其作品收藏於俄亥俄州的克裡福蘭藝術博物館，肯薩斯城的尼爾森阿特金斯藝術博物館，以及北京的故宮博物院。這些藏品中的人物形象和馬匹以及整體繪畫風格都非常相似，一致體現出任仁發一貫的簡練、生動、秀雅的藝術風格。
來源
Property from the Estate of Walter Hochstadter.
Walter Hochstadter's life revolved around China and its rich art and culture. Born in Augsburg, Germany in 1914, he spent most of his life traveling the globe until he passed away in Australia in 2007. In his early twenties, Mr. Hochstadter journeyed to China, where he studied at the College of Chinese Studies in Beijing. Constantly traveling between East and West, Mr. Hochstadter maintained homes for most of his years in Hong Kong and New York.
Although a very private individual, Mr. Hochstadter was well known among connoisseurs, scholars, and collectors of Chinese art. His clients included the most active American collectors of their day, including Avery Brundage, C.C. Wang, and J.T. Tai. Mr. Hochstadter also sold or donated art to numerous museums in the United States and Europe. In addition, he also gifted works of art to the National Palace Museum, Taipei and the University of Hong Kong, where he was named an Honorary Fellow in the late 1950s.
His dedication to the study of Chinese art resulted in the authorship of highly regarded scholarly texts on early Chinese ceramics and on the artist Shen Zhou. His later years were spent conducting research and collecting photographs for A Compendium of Chinese Paintings, in which he sought to present a canon of reliably authentic paintings by China's great masters. It is presumed that Mr. Hochstadter intended for these two paintings to form an important part of his book.
Walter Hochstadter's life revolved around China and its rich art and culture. Born in Augsburg, Germany in 1914, he spent most of his life traveling the globe until he passed away in Australia in 2007. In his early twenties, Mr. Hochstadter journeyed to China, where he studied at the College of Chinese Studies in Beijing. Constantly traveling between East and West, Mr. Hochstadter maintained homes for most of his years in Hong Kong and New York.
Although a very private individual, Mr. Hochstadter was well known among connoisseurs, scholars, and collectors of Chinese art. His clients included the most active American collectors of their day, including Avery Brundage, C.C. Wang, and J.T. Tai. Mr. Hochstadter also sold or donated art to numerous museums in the United States and Europe. In addition, he also gifted works of art to the National Palace Museum, Taipei and the University of Hong Kong, where he was named an Honorary Fellow in the late 1950s.
His dedication to the study of Chinese art resulted in the authorship of highly regarded scholarly texts on early Chinese ceramics and on the artist Shen Zhou. His later years were spent conducting research and collecting photographs for A Compendium of Chinese Paintings, in which he sought to present a canon of reliably authentic paintings by China's great masters. It is presumed that Mr. Hochstadter intended for these two paintings to form an important part of his book.
出版
Shiqu Baoji Xubian, jian 1 in Midian Zhulin Shiqu Baoji Hebian, vol. 1, Shanghai Bookstore Publishing, 1988, p.349.
James Cahill, An Index of Early Chinese Painters and Paintings: Tang, Song and Yuan, Los Angeles, University of California Press, 1980, p.287.
Sherman E. Lee and Wai-Kam Ho, "Jen Jen-Fa: Three Horses and Four Grooms" in The Bulletin of the Cleveland Museum of Art, 1961, p.72, note 4.
James Cahill, An Index of Early Chinese Painters and Paintings: Tang, Song and Yuan, Los Angeles, University of California Press, 1980, p.287.
Sherman E. Lee and Wai-Kam Ho, "Jen Jen-Fa: Three Horses and Four Grooms" in The Bulletin of the Cleveland Museum of Art, 1961, p.72, note 4.
榮譽呈獻
Jessie Or
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