BRUNSWICK, CIRCA 1740

細節

A German walnut, burr-walnut, ash, fruitwood, pewter and ivory inlaid cupboard
BRUNSWICK, CIRCA 1740
Banded and crossbanded overall and inlaid with foliate strapwork the moulded shaped cornice above a plain frieze above a pair of panelled cupboard doors each with a raised shaped panel depicting Persephone and Victory under a canopy surmounted by an eagle, flanked and divided by a rectangular pilaster headed by acanthus capitals, enclosing a plain interior, on a panelled base and bun feet
230 cm. high x 210 cm. wide x 72 cm. deep

注意事項

Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country. Christie’s charges a premium to the buyer on the Hammer Price of each lot sold at the following rates: 29.75% of the Hammer Price of each lot up to and including €20,000, plus 23.8% of the Hammer Price between €20,001 and €800.000, plus 14.28% of any amount in excess of €800.000. Buyer’s premium is calculated on the basis of each lot individually.

榮譽呈獻

Sabine Dalmeijer

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拍品專文

Braunschweig took an added importance as a centre of court art after the Elector of Hannover, of the house of Braunschweig-Celle, became King of England as George I in 1714, causing his cousins, the Dukes of Braunschweig-Wolfenbüttel, who resided in Braunschweig rather than Hanover, to attain a more prominent position in their part of Germany. In the same year 1714, August Wilhelm succeeded as Duke of Braunschweig-Wolfenbüttel. A characteristic feature of Braunschweig cabinet-making is the finely detailed inlay-work featuring figures in ivory; this is already apparent in the panelling installed in a cupboard in the Städtisches Museum Braunschweig, round 1740-1750, Braunschweiger Rokoko, 2005 Braunschweig, p. 35. A comparable drawing by Braunschweig cabinetmaker Philipp Julius Markwordt, dated 1720, is shown in H. Kreisel, Die Kunst des deutschen Möbels, München, 1970, pl. 98.