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Attributed to the Master of the Mass of Saint Gregory (German, active c. 1523-1548)

Portrait of a gentleman, bust-length, in a black hat, a white shirt with a gold-trimmed lace collar and a fur-lined mantle, a draped green curtain behind

Details
Attributed to the Master of the Mass of Saint Gregory (German, active c. 1523-1548)
Portrait of a gentleman, bust-length, in a black hat, a white shirt with a gold-trimmed lace collar and a fur-lined mantle, a draped green curtain behind
inscribed and dated 'AÑO ETATiS SVE 29½ : ADi·5· iVNY ·1 5 2 6' (upper right)
oil on panel
15½ x 13 in. (39.4 x 33 cm.)
Provenance
Mrs E. Bayer, Comtesse Sala; Her sale, Charpentier, Paris, 19 May 1933, lot 13.
with Ehrich Gallery, New York.
with Gallery Scheidwimmer, Munich.
Anonymous sale; Sotheby's, London, 6 July 2000, lot 4.
Literature
(Probably) M.J. Friedländer, J. Rosenberg, Die Gemälde von Lucas Cranach, Berlin, 1932, p. 98, no. 365, illus., as 'Der Meister der Gregorsmessen (?)'.
(Probably) M.J. Friedländer, J. Rosenberg, The Paintings of Lucas Cranach, London, 1978, p. 161, supp. 15.
Special notice
VAT rate of 5% is payable on hammer price and at 15% on the buyer's premium

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Elisabeth van Cleef
Elisabeth van Cleef

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Lot Essay

This portrait appears to identifiable with the panel recorded by Friedländer and Rosenberg (op. cit., 1932 and 1978), which is more extended in format, showing the sitter's crossed hands.
The attribution was first put forward by Friedländer, on the basis of stylistic comparison with the portrait-like heads in two panels depicting The Mass of Pope Gregory, commissioned by Cardinal Albrecht of Brandenburg for the Collegiate Church in Halle: 'where we find the same chubby bodies, the rigid posture of the heads and even such conspicuously exaggerated details as window bars reflected in the pupils of the eyes' (op. cit., 1978).

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