Lot Essay
The handsome bookcase is designed in the 1780s Roman fashion later popularised by Thomas Sheraton's, Cabinet-Maker and Upholsterer's Drawing Book (1793). Mosaic-fretted and French-marquetried in allusion to lyric poetry's triumph, the glazing astragals present loves weapons of bows confronted on medallioned shields; and, derive from Sheraton's Doors for Bookcases pattern no. 4., pl. XXIX but omitting a central figurative tablet recalling ancient Sacrifices at Loves altar. Reflecting the Grecian/Etruscan fashion, flowered medallions in coffer-parquetried and hollow-cornered tablets embellish the commode doors that are recessed to the sides of the central cabinet's drawer-chest base.
It is possible that the bookcase was executed in Scotland, since similar sunflowered handles feature on an early l9th century chest of drawers, likewise inlaid with hollow-cornered tablets, that was supplied by the cabinet-maker John Biggar of Horse Wynd, Edinburgh (see D. Jones, The Edinburgh Cabinet and Chair Makers' Book of Prices, Cupar, 2000, pl. 15).
It is possible that the bookcase was executed in Scotland, since similar sunflowered handles feature on an early l9th century chest of drawers, likewise inlaid with hollow-cornered tablets, that was supplied by the cabinet-maker John Biggar of Horse Wynd, Edinburgh (see D. Jones, The Edinburgh Cabinet and Chair Makers' Book of Prices, Cupar, 2000, pl. 15).