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A CALLIGRAPHIC COMPOSITION (LEVHA)

AFTER MUHAMMAD SHAWQI (MEHMED SEVKI EFENDI), OTTOMAN TURKEY, DATED AH 1292/1875 AD

Details
A CALLIGRAPHIC COMPOSITION (LEVHA)
AFTER MUHAMMAD SHAWQI (MEHMED SEVKI EFENDI), OTTOMAN TURKEY, DATED AH 1292/1875 AD
Black ink on paper, the inscription in bold jali thuluth between floral sprays, signed and dated along the bottom edge, laid down between gold borders and gilt black card margins, glazed and framed in gilt wood frame, slight crackelure
Panel 13 3/8 x 12 3/8in. (34 x 32cm.)
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No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

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Romain Pingannaud
Romain Pingannaud

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Lot Essay

The inscription reads ya hazra sultan 'Abd al-Qadir Jilani. 'Abd al-Qadir Jilani (1077-1166 AD) is the founder of the Qadiriya Sufi order and it is in fact tughras with his name that decorate the cornices of the Ottoman room included in this sale (lot 265).

Mehmed Sevki Efendi (AH 1245-1304/1829-1887 AD) studied thuluth, naskh and riqa' under his uncle Mehmed Hulûsi Efendi (d. 1874 AD), but developed his owns style which would later be known as the 'Sevki school' (M. Ugur Derman, Eternal Letters, exhibition catalogue, Sharjah, 2009, pp.192-193). A very similar work to the present is in the Khalili Collection (Stephen Vernoit, Occidentalism, London, 1997, no. 47, pp. 91-92). It is there suggested that the shape of this calligraphic composition is designed to recall the Qadiriya head-dress.

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