CIRCA 1840, THE LATER SILVER-GILT MOUNT WITH HALLMARKS FOR LONDON 1916 AND MAKER'S MARK C.D.
細節
AN APSLEY PELLATT AMBER CUT-GLASS SCENT BOTTLE AND STOPPER
Circa 1840, the later silver-gilt mount with hallmarks for London 1916 and maker's mark C.D.
Of flattened oval form, enclosing a sulphide portrait of Princess Charlotte, the stopper with a double-sided sulphide of a putto emblematic of either Love or War
5¼ in. (13.4 cm.) high (2)
Circa 1840, the later silver-gilt mount with hallmarks for London 1916 and maker's mark C.D.
Of flattened oval form, enclosing a sulphide portrait of Princess Charlotte, the stopper with a double-sided sulphide of a putto emblematic of either Love or War
5¼ in. (13.4 cm.) high (2)
來源
Paul Jokelson Collection, New York.
出版
P. Dunlop, The Jokelson Collection of Antique Cameo Incrustation,
Arizona, 1991, p. 85, no. 291.
D. Kaminsky, 'Sulphides: "The Noble Simplicity and Quiet Grandeur"', PCA Bulletin, 1984, p. 32, fig. 3.
Arizona, 1991, p. 85, no. 291.
D. Kaminsky, 'Sulphides: "The Noble Simplicity and Quiet Grandeur"', PCA Bulletin, 1984, p. 32, fig. 3.
展覽
P. Jokelson and D. Tarshis, Cameo Incrustation: The Great Sulphide Show, The Corning Museum of Glass, New York, 1988, p. 15, no. 35.