拍品專文
US$516,200-774,200
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細節
清
華嵒
花鳥
設色絹本
手卷
一七四八年作
題識： 1. 對山結幽居，一榻 (橫) 木杪， 讀罷南華經，卷簾聽春鳥。
2. 竹舍醫雲窗幾潤，綠華淋漓野芬清， 隔簾花影淘幽魄，閒翫微風扇鳥聲
3. 林薄媚修茂，隰原揚幽芳。軟煙凝淨綠，新粉拋疏篁。 谷風搏秀羽，群鳥欲翱翔。春雲自窈窕，春波何渺茫。 夕陽淡天際，倒影流金光。文字未能識，卷趣匣中藏。
4. 戊辰 (1748年) 冬日新羅山人坐解弢館詩畫。
鈐印：枝隱、華嵒 (四次)、秋岳
題跋： 潘正煒 (1791-1850)：樂意相關禽對語，生香不斷樹交花。 此朱晦菴先生詩也。細玩詩意詢堪為新羅山人此卷寫 照。道光廿九年 (1849年) 荷花生日聽颿樓主人書。 鈐印：季彤心賞、聽颿樓藏
余紹宋 (1882-1949)：新羅花鳥超妙入神，蓋得思於天人之 際，非學力所能企也。故辨新羅畫之真偽較易，但 難以言語形容耳。此卷偽本往曾於某藏家見之，描 摹頗肖幾可亂真，斷為偽蹟，人多不信。今春遊 廣州子靜先生出此卷見示。一展視便覺神明煥然， 頗自負前者鑒賞之不謬。因借歸杭州與摹本對看， 益見其妙且以示嚮之不信余言者。驚喜之餘漫書 其後。乙亥 (1935年) 冬余紹宋。 鈐印：越園長壽、龍游余紹宋印信長壽、越園審定
再題：此卷與趙松雪書道德經冊，同時向小畫舫齋主人 借觀，皆於倭亂時攜以俱逃而未失者。今能完璧 歸還自喜心安理得，摹本為王子展舊藏後歸高氏 繹求。亂時高氏被毀摹本存否不可知，而此真蹟 歷劫猶存，用補書之願主人之更加珍護也。 丁亥 (1935年) 秋。紹宋記。 鈐印：寒柯堂印。
藏印： 潘正煒 (1791-1850)：潘季彤鑑賞章、聽颿樓書畫印
吳榮光 (1773-1843)：吳氏筠清館所藏書畫
潘仕成 (19 世紀)：子韶審定、德畬
余紹宋題簽條：新羅山人花鳥真蹟。 靜香居珍藏。越園審定并題。 鈐印：紹宋印信
著錄：潘正煒編《聽颿樓書畫記續》卷下， 序言於1843年，第45頁。
來源：紐約佳士得，中國古近代名畫， 1994年11月30日，編號145。
露芳閣藏中國書畫
露芳閣主人八十年代初到北京經商，有緣結交啓功、黃胄、董壽平及范曾等名家大師，在他們的薰陶下，對中國書畫產生濃厚興趣，開始鑽研並埗獵名家作品，三十年下來，所得名師精品無數，此次共五十二件藏品，包括廿二件古代書畫及三十件近代畫作，覆蓋廣遠，部分是於早年拍賣所得，品質來源俱佳，必受藏家喜愛。
此古代書畫拍賣目錄，有明代沈周山水；文徵明行草詩稿，石渠寶芨著錄；文點《江村讀書圖》；陸治《水仙圖》；藍瑛山水一套兩冊，水墨詩意，青綠典雅；董其昌《五岳圖》，羅振玉舊藏，1928年東京國立博物館展覽；清代袁耀《漢宮秋月》；傅山草書；及冷枚《虎子圖》，畫後有五十三位清皇室後人及官員長跋，實屬罕有，可藏之細意品玩，趣味盎然。
近現代畫拍賣目錄，包括徐悲鴻的《三駿圖》，這幅中西融合的作品，用中國大意的筆法表現奔馬的雄姿，又以水彩的技法描繪青草等背景，只有徐氏學貫中西才能有此佈局，此作是黃君璧白雲堂舊藏，曾在台灣多次展覽；日本二玄社特選精印出版。另還包括齊白石《硃砂竹子》、《孩童玩樂圖》、張大千早年精品《描金山水》等佳作。
華嵒
花鳥
設色絹本
手卷
一七四八年作
題識： 1. 對山結幽居，一榻 (橫) 木杪， 讀罷南華經，卷簾聽春鳥。
2. 竹舍醫雲窗幾潤，綠華淋漓野芬清， 隔簾花影淘幽魄，閒翫微風扇鳥聲
3. 林薄媚修茂，隰原揚幽芳。軟煙凝淨綠，新粉拋疏篁。 谷風搏秀羽，群鳥欲翱翔。春雲自窈窕，春波何渺茫。 夕陽淡天際，倒影流金光。文字未能識，卷趣匣中藏。
4. 戊辰 (1748年) 冬日新羅山人坐解弢館詩畫。
鈐印：枝隱、華嵒 (四次)、秋岳
題跋： 潘正煒 (1791-1850)：樂意相關禽對語，生香不斷樹交花。 此朱晦菴先生詩也。細玩詩意詢堪為新羅山人此卷寫 照。道光廿九年 (1849年) 荷花生日聽颿樓主人書。 鈐印：季彤心賞、聽颿樓藏
余紹宋 (1882-1949)：新羅花鳥超妙入神，蓋得思於天人之 際，非學力所能企也。故辨新羅畫之真偽較易，但 難以言語形容耳。此卷偽本往曾於某藏家見之，描 摹頗肖幾可亂真，斷為偽蹟，人多不信。今春遊 廣州子靜先生出此卷見示。一展視便覺神明煥然， 頗自負前者鑒賞之不謬。因借歸杭州與摹本對看， 益見其妙且以示嚮之不信余言者。驚喜之餘漫書 其後。乙亥 (1935年) 冬余紹宋。 鈐印：越園長壽、龍游余紹宋印信長壽、越園審定
再題：此卷與趙松雪書道德經冊，同時向小畫舫齋主人 借觀，皆於倭亂時攜以俱逃而未失者。今能完璧 歸還自喜心安理得，摹本為王子展舊藏後歸高氏 繹求。亂時高氏被毀摹本存否不可知，而此真蹟 歷劫猶存，用補書之願主人之更加珍護也。 丁亥 (1935年) 秋。紹宋記。 鈐印：寒柯堂印。
藏印： 潘正煒 (1791-1850)：潘季彤鑑賞章、聽颿樓書畫印
吳榮光 (1773-1843)：吳氏筠清館所藏書畫
潘仕成 (19 世紀)：子韶審定、德畬
余紹宋題簽條：新羅山人花鳥真蹟。 靜香居珍藏。越園審定并題。 鈐印：紹宋印信
著錄：潘正煒編《聽颿樓書畫記續》卷下， 序言於1843年，第45頁。
來源：紐約佳士得，中國古近代名畫， 1994年11月30日，編號145。
露芳閣藏中國書畫
露芳閣主人八十年代初到北京經商，有緣結交啓功、黃胄、董壽平及范曾等名家大師，在他們的薰陶下，對中國書畫產生濃厚興趣，開始鑽研並埗獵名家作品，三十年下來，所得名師精品無數，此次共五十二件藏品，包括廿二件古代書畫及三十件近代畫作，覆蓋廣遠，部分是於早年拍賣所得，品質來源俱佳，必受藏家喜愛。
此古代書畫拍賣目錄，有明代沈周山水；文徵明行草詩稿，石渠寶芨著錄；文點《江村讀書圖》；陸治《水仙圖》；藍瑛山水一套兩冊，水墨詩意，青綠典雅；董其昌《五岳圖》，羅振玉舊藏，1928年東京國立博物館展覽；清代袁耀《漢宮秋月》；傅山草書；及冷枚《虎子圖》，畫後有五十三位清皇室後人及官員長跋，實屬罕有，可藏之細意品玩，趣味盎然。
近現代畫拍賣目錄，包括徐悲鴻的《三駿圖》，這幅中西融合的作品，用中國大意的筆法表現奔馬的雄姿，又以水彩的技法描繪青草等背景，只有徐氏學貫中西才能有此佈局，此作是黃君璧白雲堂舊藏，曾在台灣多次展覽；日本二玄社特選精印出版。另還包括齊白石《硃砂竹子》、《孩童玩樂圖》、張大千早年精品《描金山水》等佳作。
來源
THE LU FANG GE COLLECTION OF CHINESE PAINTINGS
The owner of the Lu Fang Ge Collection first began his business in Beijing in the 80's, where he met by chance Qi Gong, Huang Zhou, Dong Shouping and Fan Zeng, who became his mentors and ignited his passion towards Chinese painting and calligraphy. Over thirty years of collecting the Lu Fang Ge Collection became a repository for precious and rare paintings - the fifty two paintings presented here are a combination of both classical and modern paintings that encompass a broad period of Chinese art and culture. Many of these works were purchased through auction many years ago with enviable provenance and will add strength to any collection.
The Lu Fang Ge Collection contains many paintings from prominent artists in the Ming dynasty, such as Shen Zhou's Cooling in a Bamboo Grove, Wen Zhengming's Poetry in Cursive Script (catalogued in the Shiqu Baoji), Wen Dian's Study in a Village by a River, Lu Zhi's NarcissusM and Lan Ying's Landscapes album. In particular, Dong Qichang's Five Sacred Mountains, previously in the collection of Luo Zhenyu, was exhibited at the Tokyo National Museum in 1928. The Collection also contains a strong collection of paintings from the Qing dynasty, such as Yuan Yao's Palace under Moonlight, Fu Shan's Cursive Script Calligraphy and Leng Mei's The Young Hercules, with up to fifty-three commendations of the piece by members of the palace and generals.
In the modern paintings section Xu Beihong's Stallions is an amalgamation of Western and Eastern painting techniques, using mainly Chinese brushwork to paint the physique of the horse, while using watercolour methods to depict the grass and the background. It is also particularly rare as it comes from the collection of Huang Junbi and was exhibited in Taiwan multiple times, as well as being published in Japan. Furthermore Qi Baishi's Bamboo, Spring Fun, as well as Zhang Daqian's early work Blue and Green Landscape are also rare masterpieces from the collection.
Lot 145, 30 November 1994, Fine Chinese Paintings and Calligraphy, Chrisite's New York.
The owner of the Lu Fang Ge Collection first began his business in Beijing in the 80's, where he met by chance Qi Gong, Huang Zhou, Dong Shouping and Fan Zeng, who became his mentors and ignited his passion towards Chinese painting and calligraphy. Over thirty years of collecting the Lu Fang Ge Collection became a repository for precious and rare paintings - the fifty two paintings presented here are a combination of both classical and modern paintings that encompass a broad period of Chinese art and culture. Many of these works were purchased through auction many years ago with enviable provenance and will add strength to any collection.
The Lu Fang Ge Collection contains many paintings from prominent artists in the Ming dynasty, such as Shen Zhou's Cooling in a Bamboo Grove, Wen Zhengming's Poetry in Cursive Script (catalogued in the Shiqu Baoji), Wen Dian's Study in a Village by a River, Lu Zhi's NarcissusM and Lan Ying's Landscapes album. In particular, Dong Qichang's Five Sacred Mountains, previously in the collection of Luo Zhenyu, was exhibited at the Tokyo National Museum in 1928. The Collection also contains a strong collection of paintings from the Qing dynasty, such as Yuan Yao's Palace under Moonlight, Fu Shan's Cursive Script Calligraphy and Leng Mei's The Young Hercules, with up to fifty-three commendations of the piece by members of the palace and generals.
In the modern paintings section Xu Beihong's Stallions is an amalgamation of Western and Eastern painting techniques, using mainly Chinese brushwork to paint the physique of the horse, while using watercolour methods to depict the grass and the background. It is also particularly rare as it comes from the collection of Huang Junbi and was exhibited in Taiwan multiple times, as well as being published in Japan. Furthermore Qi Baishi's Bamboo, Spring Fun, as well as Zhang Daqian's early work Blue and Green Landscape are also rare masterpieces from the collection.
Lot 145, 30 November 1994, Fine Chinese Paintings and Calligraphy, Chrisite's New York.
出版
Pan Zhengwei ed., Ting Fan Lou Shu Hua Ji (Record of Paintings and Calligraphy in the Ting Fan Lou Collection), preface dated 1843, supplement, vol. 2, p.45.