A GEORGE I SILVER SALVER
No VAT will be charged on the hammer price, but VA… Read more THE PROPERTY OF A GENTLEMAN (LOTS 335-342)
A GEORGE I SILVER SALVER

MARK OF PAUL DE LAMERIE, LONDON, 1717, BRITANNIA STANDARD

Details
A GEORGE I SILVER SALVER
MARK OF PAUL DE LAMERIE, LONDON, 1717, BRITANNIA STANDARD
Shaped octafoil, on four bracket feet, with upcurved border, later engraved with a coat-of-arms within a foliate and strapwork cartouche, marked on reverse, further engraved with a scratchweight 84o 18pt
16¾ in. (42.5 cm.) diam.
82 oz. (2,559 gr.)
The arms are those of Trotter quartering Moubray presumably for Robert Trotter (1749-1807), son of Archibald Trotter (1716-1786) and his wife Jean (d.1796) Moubray, heiress of Robert Moubray of Bush and Castlelaw.
Provenance
Robert Trotter (1749-1807), son of Archibald Trotter (1716-1786) and his wife Jean Moubray (d.1796), heiress of Robert Moubray of Bush and Castlelaw and then by descent to
Marjorie Ellinor (d.1964), only daughter of Col. Charles William Trotter of Barton Hartsorne Manor, who married Denzil, 6th Earl Fortescue (1893-1977) and by descent to his son
Richard, Viscount Ebrington and later 7th Earl Fortescue (1922-1993)
The Viscount Ebrington; Christie's, London, 26 March 1975, lot 178. Anonymous sale; Christie's, London, 23 April 1980, lot 55.
Literature
M. Clayton, Christie's Pictorial History of English and American Silver, 1985, p. 121, no. 13.
The Glory of the Goldsmith, Magnificent Gold and Silver from the Al-Tajir Collection, 1989, p.84, no. 57.
Paul de Lamerie At the Sign of the Golden Ball, London, 1990, p. 40, no. 11.
Exhibited
London, Christie's, The Glory of the Goldsmith, Magnificent Gold and Silver from the Al-Tajir Collection, 1989, no. 57.
London, Goldsmiths' Hall, Paul de Lamerie At the Sign of the Golden Ball, 1990, no. 11.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

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Lot Essay

PAUL DE LAMERIE (1688-1751)

Paul de Lamerie was born in the Netherlands in April 1688. He was the only child of Paul Souchay de la Merie, an officer in the army of William III, and his wife, Constance le Roux. They moved to London in 1689, settling in Berwick Street in Soho.

Lamerie began his journey to become one of the greatest goldsmiths working in London in the 18th century in August 1703 with his apprenticeship with Pierre Platel, another member of the growing community of Huguenots living in London at the time. Platel, who was born in Lille, arrived in London by 1688 and was made a freeman of the Worshipful Company of Goldsmiths' by redemption by order of the Court of Aldermen in June 1699. Platel's work shows great skill, for example a set of four candlesticks formerly in the collection of Lord Harris of Peckham (Christie's, London, 25 November 2008, lot 44) and as such would have proven a very worthy teacher for Lamerie.

Having finished his apprenticeship Lamerie registered his first mark as a largeworker on 5 February 1713 and opened a workshop in Windmill Street, near Haymarket. Within a short period of time he was producing silver and gold to the highest standards, for example the octafoil salver offered here (lot 338) and the Sutherland Wine-Cistern, hallmarked in 1719, sold from the collection of the Duke of Sutherland (Christie's, London, 29 November 1961, lot 144) and now in the collection of the Minneapolis Museum of Art.

Though specifically describing the Sutherland cistern P. A. S. Phillips says "... is the earliest piece which I know of de Lamerie's highly decorative plate, showing exceptional imagination in form and ornaments, and exhibiting unexpected power in his early work" (P. A. S. Phillips, Paul de Lamerie His Life and Work, London, 1935, p. 76) but this imagination continued to be the distinguishing feature of his output, culminating in his production of plate designed in the latest Rococo fashion, for example, the highly accomplished candlesticks made for Algernon Coote, 6th Earl of Mountrath (lot 335).

Besides producing some of the greatest silver of the 18th century Lamerie also served as captain and, later, major in the Westminster volunteer association and served on committees at the Goldsmiths' Company. Though he never served as prime warden of the company he did supply them with a great deal of plate, perhaps most famously with a ewer and basin made in 1741.

As no ledgers survive it is not possible to say exactly how much plate he supplied during the course of his long career but he certainly supplied some of the greatest patrons of the arts in England, such as Sir Robert Walpole, for whom he made at least two inkstands, the Earl of Thanet and Baron Anson, for whom he produced entire dinner services, and the Duke of Bedford.

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