AN IMPORTANT GEORGE III SILVER SEVEN-LIGHT CANDELABRUM
No VAT will be charged on the hammer price, but VA… Read more THE PROPERTY OF A GENTLEMAN 
AN IMPORTANT GEORGE III SILVER SEVEN-LIGHT CANDELABRUM

MARK OF DIGBY SCOTT AND BENJAMIN SMITH, LONDON, 1805, PROBABLY RETAILED BY RUNDELL, BRIDGE AND RUNDELL

Details
AN IMPORTANT GEORGE III SILVER SEVEN-LIGHT CANDELABRUM
MARK OF DIGBY SCOTT AND BENJAMIN SMITH, LONDON, 1805, PROBABLY RETAILED BY RUNDELL, BRIDGE AND RUNDELL
On shaped triangular base supported by sphinxes above winged lion paw feet, with tapering column stem and six scroll branches, each with fluted drip pan and detachable nozzles, one replaced, each side of the base applied with a shield engraved with an initial below a duke's coronet, marked under base, on applied shields, winged figures, upper stems, branches, sockets and six nozzles, the replaced nozzle unmarked
36¾ in. (91.5 cm.) high
467 oz. (14,530 gr.)
Though the initial has traditionally been identified as being that of the Duke of Sussex the absence of fleur-de-lys in the coronet means that this cannot be the case. A more likely candidate is Edward Adolphus St. Maur, 11th Duke of Somerset (1775-1855). Though christened Seymour, Edward, the son of Webb Seymour, 10th Duke of Someret legally changed his name to St. Maur.

Having succeeded his father in 1793 he married first, in 1800, Lady Charlotte Douglas-Hamilton (d. 1827), daughter of Archibald Hamilton, 9th Duke of Hamilton, and wife Harriet Stewart. Together the couple had four children. After Charlotte's death he married Margaret Shaw-Stewart Seymour. He was a gifted mathematician and served as President of the Linnaean Society from 1834 to 1837 and as President of the Royal Institution from 1826 to 1842.

Other silver connected to Somerset includes an entrée dish and cover by Paul Storr, 1806 with a finial cast as the family crest (Christie's, London, 15 June 2004, lot 30) and a set of twelve dinner plates by Paul Storr, 1814 (Christie's London, 24 February 1971, lot 89).
Provenance
Anonymous sale; Sotheby's London, 18 March 1982, lot 108.
Literature
J. B. Hawkins, The Al-Tajir Collection of Silver and Gold, London, 1983, vol. I, p. 96 and 97.
The Glory of the Goldsmith, Magnificent Gold and Silver from the Al-Tajir Collection, 1989, p. 90, illus. p. 91.
Exhibited
London, Christie's, The Glory of the Goldsmith, Magnificent Gold and Silver from the Al-Tajir Collection, 1989, no. 118 (part).
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.
Sale room notice
Please note the branches are by Benjamin Smith, 1805, 1807 and 1808.

Brought to you by

Monica Turcich
Monica Turcich

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

RUNDELL, BRIDGE AND RUNDELL

While today names like Paul Storr and John Bridge are celebrated for their excellence of design and skill in craftsmanship, in first years of the 19th century it would have been the retailers Rundell Bridge and Rundell whose name represented the pinnacle of The Business of Luxury,as they are described in Royal Goldsmiths: The Art of Rundell & Bridge 1797-1843, London, 2005.

The firm, located at 32 Ludgate Hill, was born when Philip Rundell (1746-1827) bought the business of William Pickett, in 1786. He was joined in running the business by John Bridge. The pair made a perfect team with Rundell running the shop while Bridge dealt with the clients. In 1805, Rundell took his nephew, Edmund Waller Rundell into partnership, whereupon the business was restyled Rundell, Bridge and Rundell.

By this time they were one of the main manufacturers of quality silver plate, jewels and gold boxes. The firm grew rapidly, so much so that by the 1820's, it was a vast enterprise with agencies in Paris, Vienna, St. Petersburg, Baghdad, Constantinople, Bombay, Calcutta, and various cities in South America.

It was in 1807 that Paul Storr, the gifted master silversmith, was persuaded to join the firm, followed the next year by the sculptor, William Theed (1764-1817) who had previously worked as a modeller for Wedgwood. When Theed died, Rundell took on another leading sculptor, John Flaxman (1755-1826). Unlike Theed, Flaxman was never a partner but was employed as the firm's designer and made models and drawings for many of the firms important commissions

Having been appointed, in 1797, as one of the goldsmiths to King George III the firm were regular suppliers to the Royal Family. For example the Prince of Wales ordered a service of silver-gilt plate of sufficient size and importance for use on State occasions. The Prince of Wales State plate was shown in an exhibit held for three days of every week during the spring of 1807. Invitation was by ticket only.
"All the Rich, the great and Noble of the Land flocked to see the display of the Grand Service. Their carriages blocked Ludgate Hill until seven o'clock each evening."

It was not until after Paul Storr had left the firm in 1819 that Philip Rundell entered his own mark, though he retired soon after, in 1823. He died four years later leaving a phenomenal personal fortune of around £1,500,000 to his nephew, Joseph Neeld, (who in turn bequeathed his wealth to Queen Victoria). Rundell's workshop continued operating up until the death of John Bridge in 1834. Thereafter the firm continued to commission silver from other manufacturers until it finally closed in 1843.

More from Centuries of Style: Silver, European Ceramics, Portrait Miniatures and Gold Boxes

View All
View All