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陸儼少 煙江叠嶂圖 設色紙本 手卷 一九八五年作
題識：煙江叠嶂圖。 一九八六年元月，安佑太夫人八十榮慶，館甥鄒模賢稱觴上壽屬予寫圖以為華封之祝。宋王晉卿好寫烟江叠嶂圖。人間合有數本，東坡賦詩以張之逐大行於世，予今聊復繼作。夫大江濫觴於星宿滙鈉眾流，蜿蜒曲折，出於重山叠嶂之間，而莫能阻其東，源遠流長，亘萬餘里浩浩盪盪以注於海，而成其大。圖成因書卷後。乙丑 (1985年) 十月，陸儼少並記於西子湖上之晚晴軒。
鈐印：陸儼少、宛若、嘉定、寄遠、 七十七歲值牛年、晚晴軒
鑑藏印：蕭平心賞、梅縣鄒氏模賢珍藏書畫章
徐邦達題引首：煙江叠嶂。模賢先生之屬，戊辰 (1988年) 春，邦 達。
鈐印：孚尹、徐邦達印
徐邦達題跋：數本煙江叠嶂圖，擬成翠墨總模糊，從知出峽才思益怪石奔灘勢可呼，邦達題。
鈐印：徐邦達印、李庵
蕭平長跋並鈐印兩方。
蕭平題簽條：陸儼少先生煙江叠嶂圖卷，丙寅 (1986年) 八月蕭平題。
鈐印：平子
鑑藏印：模賢珍藏
出版：《陸儼少書畫藏品集》第三集，朵雲軒有限公司，香港，1993年，第74-75頁。
上款為鄒模賢，廣東梅縣人。鄒氏酷愛書畫收藏，與藝術界交往頗多。陸儼少、徐邦達、蕭平等人均與他友好，因此其收藏過的書畫上多有上述幾人的跋語，鈐印包括‘至愛’、‘慕賢珍藏’和‘梅縣鄒氏模賢珍藏書畫之章’等。
露芳閣藏中國書畫
露芳閣主人八十年代初到北京經商，有緣結交啟功、黃胄、董壽平及范曾等名家大師，在他們的薰陶下，對中國書畫產生濃厚興趣，開始鑽研並涉獵名家作品。三十年下來，所得名師精品無數，此次共五十二件藏品，包括廿二件古代書畫及三十件近代畫作，覆蓋廣遠，部分是於早年拍賣所得，品質來源俱佳，必受藏家喜樂。
此近現代畫拍賣目錄，包括徐悲鴻的《三駿圖》，這幅中西融合的作品，用中國大意的筆法表現奔馬的雄姿，又以水彩的技法描繪青草等背景，只有徐氏學貫中西才能有此佈局，此作是黃君璧白雲堂舊藏，曾在台灣多次展覽；日本二玄社特選精印出版。另還包括齊白石《硃砂竹子》、《孩童玩樂圖》；張大千早年精品《描金山水》等。
古代書畫拍賣目錄，有明代沈周山水；文徵明行草詩稿，石渠寶笈著錄；文點《江村讀書圖》；陸治《水仙圖》；藍瑛山水一套兩冊，水墨詩意，青綠典雅；董其昌《五岳圖》，羅振玉舊藏，1928年東京國立博物館展覽；清代袁耀《漢宮秋月》；傅山草書；及冷枚《虎子圖》，畫後有五十三位清皇室後人及官員長跋，實屬罕有，可藏之細意品玩，趣味盎然。
題識：煙江叠嶂圖。 一九八六年元月，安佑太夫人八十榮慶，館甥鄒模賢稱觴上壽屬予寫圖以為華封之祝。宋王晉卿好寫烟江叠嶂圖。人間合有數本，東坡賦詩以張之逐大行於世，予今聊復繼作。夫大江濫觴於星宿滙鈉眾流，蜿蜒曲折，出於重山叠嶂之間，而莫能阻其東，源遠流長，亘萬餘里浩浩盪盪以注於海，而成其大。圖成因書卷後。乙丑 (1985年) 十月，陸儼少並記於西子湖上之晚晴軒。
鈐印：陸儼少、宛若、嘉定、寄遠、 七十七歲值牛年、晚晴軒
鑑藏印：蕭平心賞、梅縣鄒氏模賢珍藏書畫章
徐邦達題引首：煙江叠嶂。模賢先生之屬，戊辰 (1988年) 春，邦 達。
鈐印：孚尹、徐邦達印
徐邦達題跋：數本煙江叠嶂圖，擬成翠墨總模糊，從知出峽才思益怪石奔灘勢可呼，邦達題。
鈐印：徐邦達印、李庵
蕭平長跋並鈐印兩方。
蕭平題簽條：陸儼少先生煙江叠嶂圖卷，丙寅 (1986年) 八月蕭平題。
鈐印：平子
鑑藏印：模賢珍藏
出版：《陸儼少書畫藏品集》第三集，朵雲軒有限公司，香港，1993年，第74-75頁。
上款為鄒模賢，廣東梅縣人。鄒氏酷愛書畫收藏，與藝術界交往頗多。陸儼少、徐邦達、蕭平等人均與他友好，因此其收藏過的書畫上多有上述幾人的跋語，鈐印包括‘至愛’、‘慕賢珍藏’和‘梅縣鄒氏模賢珍藏書畫之章’等。
露芳閣藏中國書畫
露芳閣主人八十年代初到北京經商，有緣結交啟功、黃胄、董壽平及范曾等名家大師，在他們的薰陶下，對中國書畫產生濃厚興趣，開始鑽研並涉獵名家作品。三十年下來，所得名師精品無數，此次共五十二件藏品，包括廿二件古代書畫及三十件近代畫作，覆蓋廣遠，部分是於早年拍賣所得，品質來源俱佳，必受藏家喜樂。
此近現代畫拍賣目錄，包括徐悲鴻的《三駿圖》，這幅中西融合的作品，用中國大意的筆法表現奔馬的雄姿，又以水彩的技法描繪青草等背景，只有徐氏學貫中西才能有此佈局，此作是黃君璧白雲堂舊藏，曾在台灣多次展覽；日本二玄社特選精印出版。另還包括齊白石《硃砂竹子》、《孩童玩樂圖》；張大千早年精品《描金山水》等。
古代書畫拍賣目錄，有明代沈周山水；文徵明行草詩稿，石渠寶笈著錄；文點《江村讀書圖》；陸治《水仙圖》；藍瑛山水一套兩冊，水墨詩意，青綠典雅；董其昌《五岳圖》，羅振玉舊藏，1928年東京國立博物館展覽；清代袁耀《漢宮秋月》；傅山草書；及冷枚《虎子圖》，畫後有五十三位清皇室後人及官員長跋，實屬罕有，可藏之細意品玩，趣味盎然。
來源
THE LU FANG GE COLLECTION OF CHINESE PAINTINGS
The owner of the Lu Fang Ge Collection first began his business in Beijing in the 80's, where he met by chance Qi Gong, Huang Wei, Dong Shoupin and Fan Zeng, who became his mentors and ignited his passion towards Chinese painting and calligraphy. Over thirty years of collecting the Lu Fang Ge Collection became a repository for precious and rare paintings-the fifty-two paintings presented here are a combination of both classical and modern paintings that encompass a broad period of Chinese art and culture. Many of these works were purchased through auction many years ago with enviable provenance and will add strength to any collection.
In the modern paintings section Xu Beihong's The Three Stallions is an amalgamation of Western and Eastern painting techniques, using mainly Chinese brushwork to paint the physique of the horse, while using watercolour methods to depict the grass and the background. It is also particularly rare as it comes from the collection of Huang Junbi and was exhibited in Taiwan multiple times, as well as being published in Japan. Furthermore Qi Baishi's Bamboo, Spring Fun, as well as Zhang Daqian's early work Blue and Green Landscape are also rare masterpieces from the collection.
The Lu Fang Ge Collection contains many paintings from prominent artists in the Ming dynasty, such as Shen Zhou's Cooling in a Bamboo Grove, Wen Zhenming's Poetry in Cursive Script (catalogued in the Shiqu Baoji), Wen Dian's Studying in a Village by a River, Lu Zhi's NarcissusM and landscapes albums by Lan Ying. In particular, Dong Qichang's Five Sacred Mountains, previously in the collection of Luo Zhenyu, was exhibited at the Tokyo National Museum in 1928. The Lu Fang Ge Collection also contains a strong collection of paintings from the Qing dynasty, such as Palace under Moonlight, Fu Shan's calligraphy and Leng Mei's The Young Hercules, with up to fifty-three commendations of the piece by members of the palace and generals.
The owner of the Lu Fang Ge Collection first began his business in Beijing in the 80's, where he met by chance Qi Gong, Huang Wei, Dong Shoupin and Fan Zeng, who became his mentors and ignited his passion towards Chinese painting and calligraphy. Over thirty years of collecting the Lu Fang Ge Collection became a repository for precious and rare paintings-the fifty-two paintings presented here are a combination of both classical and modern paintings that encompass a broad period of Chinese art and culture. Many of these works were purchased through auction many years ago with enviable provenance and will add strength to any collection.
In the modern paintings section Xu Beihong's The Three Stallions is an amalgamation of Western and Eastern painting techniques, using mainly Chinese brushwork to paint the physique of the horse, while using watercolour methods to depict the grass and the background. It is also particularly rare as it comes from the collection of Huang Junbi and was exhibited in Taiwan multiple times, as well as being published in Japan. Furthermore Qi Baishi's Bamboo, Spring Fun, as well as Zhang Daqian's early work Blue and Green Landscape are also rare masterpieces from the collection.
The Lu Fang Ge Collection contains many paintings from prominent artists in the Ming dynasty, such as Shen Zhou's Cooling in a Bamboo Grove, Wen Zhenming's Poetry in Cursive Script (catalogued in the Shiqu Baoji), Wen Dian's Studying in a Village by a River, Lu Zhi's NarcissusM and landscapes albums by Lan Ying. In particular, Dong Qichang's Five Sacred Mountains, previously in the collection of Luo Zhenyu, was exhibited at the Tokyo National Museum in 1928. The Lu Fang Ge Collection also contains a strong collection of paintings from the Qing dynasty, such as Palace under Moonlight, Fu Shan's calligraphy and Leng Mei's The Young Hercules, with up to fifty-three commendations of the piece by members of the palace and generals.
出版
Collections of Lu Yan-Shao's Painting and Calligraphy, vol.3, To Yun Shuan Co., Hong Kong, 1993, p.74-75.