細節
李真
清風雲露
銅 不銹鋼 雕塑
版數︰8/8
2005年作
簽名︰Li Chen
鈐印︰李真

展覽
2007年「第52屆威尼斯雙年展:虛空中的能量」威尼斯 義大利(展品為不同尺寸版本)

出版
2007年《第52屆威尼斯雙年展-虛空中的能量》亞洲藝術中心 台北 台灣 (圖版,封面及第173-177頁)
2008年《尋找精神的空間-李真中國美術館個展》亞洲藝術中心 台北 台灣 (圖版,第116-123頁)

《清風雲露》(Lot 1528)完成於2005年,是李真【大氣神遊】(2001~)系列中的代表作之一,充滿著神仙和詩人的浪漫情懷,如同「獨上雄峰天之界,輕駕浮雲樂逍遙」的絕妙意境。李真接觸佛學的「空」及老莊思想的「氣」,自然而內化,並受傳統佛像氣韻的影響,頗有清淨無爲之特有氣質。他的創作不離當下之現代感,發展出有別於傳統面貌,大膽的呈現新的東方精神,使得流傳千年的造像有所創新,完美的將傳統與現代融合。

「初化露、望長空、赤日地、御青煙、乾坤扇、遙指風、天靈界、化三千」為李真特別為此作品寫下的詩,巧妙的點出其中內含的意境,作品中澄澈童稚的小孩氣定神閒的坐在山峰雲端,逍遙而自在;面容安詳愉悅,虛幻清淨的氣質令人極為心動。李真特別巧妙處理雕塑形體姿態與表情,使渾圓線條充滿氣體張力與能量,並使用中國墨黑色帶有霧亮質感的生漆,增加銅質本身新變化,整體雕塑有一種「既重又輕」的效果,呈現李真獨特的藝術面貌,帶領觀眾進入一種寧靜的心靈理想世界。
出版
Asia Art Center, nergy of Emptiness, Li Chen in 52nd Venice Biennale, Taipei, Taiwan, 2007 (illustrated, on the front cover & pp. 173-177).
Asia Art Center, In Search of Spiritual Space, Li Chen Solo Exhibition at the National Art Musuem of China, Taipei, Taiwan, 2008 (illustrated, pp. 116-123).
展覽
Venice, Italy, 52nd Venice Biennale, Energy of Emptiness, 2007 (different sized version exhibited).

登入
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拍品專文

Soothing Breezes Floating Clouds (Lot 1528), executed in 2005, is one of Li Chen's representative works of the series "Spiritual Journey through the Great Ether"(2001). Oozed with the romantic feelings of immortals and poets, the sculpture recounts the phenomenal vision of "standing alone on heavenly mountain tops, floating unfettered on clouds." Li Chen has learnt from Buddhism "emptiness (kong)", and from Zhuangzi's philosophy "energy (qi)" - natural and transforms internally. He has also been inspired by the spiritual rhythm so well captured and manipulated in the traditional Buddhist figures. All these nurture significantly his unique deposition of lucidity and dormancy. His creations rarely depart from the modern sense of the moment, and have developed a new oriental spirit that differs from the traditional approaches, and that daringly comes into view, thereby renewing the Buddhist statues bequeathed over a thousand years ago, and fusing perfectly the tradition with the modern.
Specific for this sculpture, Li Chen has composed a poem wittily unveiling the vision implied-"Early dusk, looking out into the void, the red sun sets, driving away the gray smoke. In a supremely moving manner, his auspicious fan directs a remote breeze. In his heavenly world he peacefully melts the boundless illusions." The pure, innocent child of the sculpture is sitting at ease on a mountaintop at the edge of clouds. Liberated and carefree, he has a tranquil and delightful face, with an illusionary untainted temperament that is extraordinary appealing. Li Chen ingeniously gives special treatments to the artwork's physique, gesture and facial expression, imbuing the plumpish outlines with energetic tension and power. Moreover, he uses raw Chinese lacquer in ink black with a misty sheen to enrich the diversity of bronze finish. Hence the entire sculpture has both "heavy and light" effect, manifesting the uniqueness of Li Chen's artistic facet, and inviting the viewers to a serene and ideal spiritual realm.

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