La chambre à coucher (La camera da letto - Angolo d'alcova)

细节

Federico Zandomeneghi (Venice 1841-1917 Paris)
La chambre à coucher (La camera da letto - Angolo d'alcova)
pastel on card
14 1/8 in x 11½ in. (35.9 x 29 cm.)
Executed circa 1886

来源

The artist's studio stamp (not in Lugt).
with Durand-Ruel, Paris (photo no. 19749)
Private collection, Milan.
with Galleria Sacerdoti, Milan.
Acquired from the above by the present owner.

出版

E. Piceni, Zandomeneghi. Catalogo ragionato dell'opera, Busto Arsizio, 1967, no. 79.
F. Dini, Federico Zandomeneghi. La vita e le opere, Florence, 1989, p. 416.
E. Piceni, Zandomeneghi, Busto Arsizio, 1991, no. 79., illustrated. Fondazione Enrico Piceni, Federico Zandomeneghi. Catalogo generale, nuova edizione aggiornata e ampliata, Milan, 2006, p. 226, no. 123, illustrated.

展览

Milan, Galleria Sacerdoti, 1980, no. 28.
Milan, Galleria Sacerdoti, 1984, no. 52.
Venice, Ca' Pesaro and Milan, Palazzo Reale, Zandomeneghi. Un veneziano a Parigi, 1988, no. 22.
Ferrara, Palazzo dei Diamanti, Degas e gli italiani a Parigi, 2003, no. 71.
Rome, Chiostro del Bramante, Federico Zandomeneghi. Un Veneziano tra gli Impressionisti, 2006, no. 15.

注意事项

No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis. Please note Payments and Collections will be unavailable on Monday 12th July 2010 due to a major update to the Client Accounting IT system. For further details please call +44 (0) 20 7839 9060 or e-mail info@christies.com

荣誉呈献

Clemency Henty

chenty@christies.com +44 (0)20 7389 2541

拍品专文

Zandomeneghi was one of the leading Italian artists, including Giuseppe de Nittis and Giovanni Boldini, who moved in Impressionist circles in Paris in the 1870s and 1880s. The present work was executed at a time when the artist enjoyed a warm friendship with Edgar Degas. This found expression in Zandomeneghi's work in a particularly close focus on nudes and on interiors.

The present work is a finished study for one of the artist's largest oil paintings, Le Lever: femme s'étirant (Fig. 1), dated 1886. It is notable for its almost abstract nature, with different planes of colour thrust at a slight angle into the foreground.