A JAPANESE EXPORT LACQUER PORTRAIT MEDALLION DEPICTING MAXIMILIANUS
A JAPANESE EXPORT LACQUER PORTRAIT MEDALLION DEPICTING MAXIMILIANUS

EDO PERIOD, LATE 18TH CENTURY

細節
A JAPANESE EXPORT LACQUER PORTRAIT MEDALLION DEPICTING MAXIMILIANUS
EDO PERIOD, LATE 18TH CENTURY
Decorated in gold hiramaki-e and kinji on a roironuri ground with a bust portrait of MAXIMILIANUS.ROM.REX., the reverse inscribed, with suspension ring, some retouches
12.1 cm. long

榮譽呈獻

Sabine Dalmeijer
Sabine Dalmeijer

查閱狀況報告或聯絡我們查詢更多拍品資料

登入
瀏覽狀況報告

拍品專文

Eighteenth Century lacquerware made in Japan for the European market was probably exclusively exported by the Dutch East Indies Company via Deshima, which had the sole privilege of trade via Japan. Two chief merchants of Deshima, Mr. I. Titsingh and Baron Johan Frederick van Reede tot de Parkeler were especially interested in lacquerwork during the last quarter of the 18th Century. Around 1780 there was a sudden fashion for oval copper medallions covered with black lacquer and decorated in low relief with portraits in gold hiramaki-e. A hanging ring was fixed on a triangular support atop the medallions. Different series can be distinguished, for instance, series with portraits of famous Europeans based on prints from L'Europe Illustre compiled by Dreux du Radier (Paris, 1755-65) or series depicting Roman emperors, Governors-General of the VOC, illustrious Chinese, or Dutch admirals. The names of these famous men were usually written in Latin capitals around the rim. Captions that occur on the print are rendered in a shortened version on the back of the medallions. A number of existing portraits are signed and dated proving that they were made at Sasaya in Japan between 1787 and 1793. For further discussion of these medallions see Oliver Impey and Christiaan Jörg, Japanese Export Lacquer 1580 -1850, Amsterdam, 2005, pp. 48-52, pp. 216-217.