A MATCHED PAIR OF LOUIS XVI ORMOLU TWO-BRANCH WALL LIGHTS
THE PROPERTY OF A NEW YORK COLLECTOR (LOT 318)
A MATCHED PAIR OF LOUIS XVI ORMOLU TWO-BRANCH WALL LIGHTS

CIRCA 1775, WITH DIFFERENCES IN THE CONSTRUCTION AND CHASING

Details
A MATCHED PAIR OF LOUIS XVI ORMOLU TWO-BRANCH WALL LIGHTS
CIRCA 1775, WITH DIFFERENCES IN THE CONSTRUCTION AND CHASING
Each with a flame-cast finial and scrolling acanthus-cast arms above a floral-swagged fluted shaft, one inscribed in red chalk SDG1095 and in black ink SDG, the other inscribed in red chalk VB and in white chalk ...4359 and with various other ink and blue chalk inscriptions and paper labels, one with grooved hollow beneath central acanthus possibly originally indicating additional element, drilled for electricity
26½ in. (67 cm.) high, 14½ in. (37 cm.) wide (2)

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Lot Essay

These stylish wall lights, with their distinctive flame finial, are inspired by a design for a similar wall light en flambeau traditionally attributed to the ciseleur-doreur Jean-Louis Prieur, in the J. Paul Getty Museum, Los Angeles, and illustrated in H. Ottomeyer/P. Pröschel, Vergoldete Bronzen, Munich, 1986, p. 172, pl. 3.5.3.

The model evidently enjoyed great success in the 18th century, and among the examples known are three pairs with three arms in the J. Paul Getty Museum, Los Angeles (illustrated in G. Wilson, Decorative Arts, Los Angeles, 1986, p. 61, cat. 134) and a pair delivered to the château de Fontainebleau by the bronzier Antoine Ravrio in 1804 (illustrated in J. P. Samouyault, Pendules et bronzes d'ameublement entrés sous le Premier Empire à Fontainebleau, Paris, 1989, p. 128, cat. 93).

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