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拍品專文
The white body of this vase may be imitating jade, while the carved red areas are imitating carved red lacquer.
The unusually spaced Qianlong four-character mark on the present vase can also be seen on the bottom of the foot of two multi-colour glass vases in the Palace Museum, Beijing, illustrated by Zhang Rong (ed.), Luster of Autumn Water - Glass of the Qing Imperial Workshop, Forbidden City Publishing House, 2005, p. 283, nos. 51 and 112, as well as the Imperial four-colour glass hu-shaped vase in the Shorenstein Collection, in the present sale, lot xxxx.
The unusually spaced Qianlong four-character mark on the present vase can also be seen on the bottom of the foot of two multi-colour glass vases in the Palace Museum, Beijing, illustrated by Zhang Rong (ed.), Luster of Autumn Water - Glass of the Qing Imperial Workshop, Forbidden City Publishing House, 2005, p. 283, nos. 51 and 112, as well as the Imperial four-colour glass hu-shaped vase in the Shorenstein Collection, in the present sale, lot xxxx.