![[LITERATURE]. HERBERT, George. The Works of George Herbert. London: Pickering, 1838. 2 volumes, small 8o. Engraved frontispieces and titles printed within a border. Contemporary blue morocco, edges gilt concealing fore-edge paintings of ST. PAUL'S AND THE TOWER OF LONDON. Second edition. -- FOSTER, John. Essays in a Series of Letters. London: Samuel Holdsworth, 1839. Small 8o. Contemporary blue morocco decoratively gilt, edges gilt concealing a fore-edge painting of FLEET STREET. Provenance: Mary A. Brown (presentation inscription dated 1840); Edward Ross (ownership sticker). -- GRAY, Thomas. Elegy Written in a Country Church-yard. London: John Van Voorst, 1839. 8o. Text printed in English, Greek. Latin, German, Italian and French, engraved vignettes throughout. Contemporary black morocco, edges gilt concealing a fore-edge painting of SKELETONS DANCING IN A GRAVEYARD. -- SCOTT, Sir Walter. Marmion; a Tale of Flodden Field.](https://www.christies.com/img/LotImages/2010/NYR/2010_NYR_02361_0224_000(literature_herbert_george_the_works_of_george_herbert_london_pickering050154).jpg?w=1)
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[LITERATURE]. HERBERT, George. The Works of George Herbert. London: Pickering, 1838. 2 volumes, small 8o. Engraved frontispieces and titles printed within a border. Contemporary blue morocco, edges gilt concealing fore-edge paintings of ST. PAUL'S AND THE TOWER OF LONDON. Second edition. -- FOSTER, John. Essays in a Series of Letters. London: Samuel Holdsworth, 1839. Small 8o. Contemporary blue morocco decoratively gilt, edges gilt concealing a fore-edge painting of FLEET STREET. Provenance: Mary A. Brown (presentation inscription dated 1840); Edward Ross (ownership sticker). -- GRAY, Thomas. Elegy Written in a Country Church-yard. London: John Van Voorst, 1839. 8o. Text printed in English, Greek. Latin, German, Italian and French, engraved vignettes throughout. Contemporary black morocco, edges gilt concealing a fore-edge painting of SKELETONS DANCING IN A GRAVEYARD. -- SCOTT, Sir Walter. Marmion; a Tale of Flodden Field. Edinburgh: Adam and Charles Black, 1855. Engraved frontispiece, engraved title, numerous engraved illustrations. Contemporary burgundy morocco elaborately ornamentally gilt, edges gilt concealing a fore-edge painting of KNIGHTS ENGAGED IN BATTLE. Provenance: Mary (gift inscription in ink dated 8 April 1857). -- The Works of George Herbert. London: Routledge, Warne and Routledge, 1862. Small 8o. Engraved frontispiece, engraved title, numerous engraved plates. Contemporary blue morocco gilt, edges gilt concealing fore-edge paintings of a town on the water. -- INGOLDSBY, Thomas. The Ingoldsby Legends or Mirth and Marvels. London: Richard Bentley and Son, 1882. 8o. Engraved frontispiece, numerous engraved plates. Contemporary burgundy morocco gilt, edges gilt concealing a DOUBLE FORE-EDGE PAINTING of Oxford and Cambridge. Provenance: Francis J. Weber (bookplate). -- GOLDSMITH, Oliver. The Poems and Plays of Oliver Goldsmith. London: Frederick Warne, n.d. Mounted frontispiece and numerous mounted illustrations. Red morocco gilt, edges gilt concealing a fore-edge painting of BEDGEBURY, KENT. (8)