[POETRY]. A collection of 15 works, including: PETRARCA, Francesco. Le Rime. Firenze: Dalla tipografia dei FF. J. E. L. Ciardetti 1821. 2 volumes, 8o. 8 engraved plates. Contemporary vellum, spines gilt and with gilt morocco lettering labels, EACH COVER WITH A LARGE PAINTED PANEL SHOWING VIEWS OF: ARCH OF TITUS, PHOCAS COLUMN, ANTHONY'S COLUMN AND TIVOLI, edges gilt concealing fore-edge paintings of VERONA and ROME. Anonymous owner (Christie's New York, 5 December 1991). -- DRUMMOND, William (1845-1879). The Poems of William Drummond, of Hawthornden. London: for J. Jeffery, 1790. 12o. Engraved frontispiece. Red morocco, covers and spine gilt, edges gilt concealing a fore-edge painting of KILDALLOIG. -- MILTON, John. Paradise Regained, a Poem in Four Books. London: for T. Cadell and W. Davies, 1795. Engraved folding map. Contemporary red straight-grained morocco gilt, edges gilt concealing a fore-edge painting of THE CUSTOM HOUSE, LONDON. Provenance: Honorable Edward Foley (presentation inscription from the editor, Charles Dunster); J. H. Hodgetts Foley (bookplate). -- MOORE, Thomas. Lalla Rookh, an Oriental Romance. London: A. Strahan for Longman, Hurst, Rees, Orme, and Brown, 1818. 8o. Contemporary red straight-grained morocco gilt, edges gilt concealing a fore-edge painting of A MANOR; modern slipcase. A LETTER FROM THE AUTHOR, dated Dublin, 2nd June, tipped in. Provenance: Howard S. Ruddy (bookplate). -- MONTGOMERY, Robert. The Omnipresence of the Deity. London: for Samuel Maunder, 1829. 12o. Contemporary blue calf gilt, edges marbled concealing a DOUBLE FORE-EDGE PAINTING of hunting and angling. Provenance: Harald Markham Temple (armorial bookplate). -- WHITE, Henry Kirk. The Poetical Works. London: William Pickering, 1830. 8o. Contemporary maroon morocco gilt, edges gilt concealing a double fore-edge painting of THE TALBOT INN BOROUGH near London, and THE OLD QUEEN'S HEAD Isington. -- MOULTRIE, John. Poems. London: William Pickering, 1838. 8o. Engraved frontispiece. Contemporary green morocco, edges gilt concealing a DOUBLE FORE-EDGE PAINTING of views of Salisbury and Chichester. Provenance: Lord Monson (armorial bookplate). -- TENNYSON, Alfred. Enoch Arden. London: Edward Moxon & Co., 1865. 8o. Contemporary red morocco gilt, edges gilt concealing a fore-edge painting of a SKIIER. -- TRENCH, Henry Chenevix. Poems. London and Cambridge: Macmillan and Co., 1865. 8o. Contemporary blue morocco gilt, edges gilt concealing a double fore-edge painting of Dublin, viewed from Phoenix Park and the River. -- GRAY, Thomas. Poems and Letters. London: The Chiswick Press, 1867. 4o. Frontispiece portrait mounted. Contemporary green morocco gilt, edges gilt concealing a fore-edge painting of a VIEW OF ETON. Provenance: Jacobus I. Hornby (ownership inscription). -- The Poetical Works of Samuel Rogers. London: Routledge, 1869. 8o. Engraved vignettes. Contemporary red morocco gilt, edges gilt concealing a fore-edge painting of A PASTORAL SCENE; modern slipcase. -- HEMANS, Mrs. [Felicia]. The Poetical Works. London: Frederick Warne and Co., n.d. 8o. Numerous engraved plates, text printed within a red border. Contemporary blue morocco, edges gilt concealing a fore-edge painting of A BOAT; modern cloth slipcase. -- SOUTHGATE, Henry. Noble Thoughts in Noble Language. London: Ward, Lock, and Tyler, n.d. 8o. Contemporary red morocco gilt, edges gilt concealing a SPLIT FORE-EDGE PAINTING OF COACHING SCENES. -- YOUNG, Edward. night Thoughts on Life, Death, & Immortality. London: for Chapman & Co., n.d. Engraved frontispiece, engraved title, numerous engraved plates. 4o. Contemporary blue straight-grained morocco gilt, edges gilt concealing a fore-edge painting of Westminster Hospilet and Abbey Church. (15)