細節
金甫珉
嘉會的地圖

膠帶 設色 水墨 麻布 裱於木板 (二聯作)
2009年作
簽名:BoMin Kim
藝術家鈐印

展覽
2010年3月11日-4月2日「Diary of Drifting 」CAIS畫廊 首爾 韓國

出版
2010年《Diary of Drifting》CAIS畫廊 首爾 韓國 (圖版,第16-17頁)

金甫珉的創作方法是把過去和現在融合為一,把古代文人的美學觀念和當代的建築環境結合,並創造出新的藝術風格和表現特色。

金甫珉的風景景觀,既有地圖描繪的準確性,也包含東方繪畫的寫意流麗,以傳統之美感為現代化的韓國城市造型。在《嘉會的地圖》(Lot 1243)裡,韓國水墨畫的泥土色調把山景的寧靜氣氛渲染出來。作品同時運用了鳥瞰視度及單一透視法,產生了空間錯位的奇異景觀。建築物如爬格子般佈滿整個山頭,像一塊塊小拼圖,聚合成一片遠景,氣氛低調孤清,觀眾倍感抽離。黑色塑膠帶界定了建築物的直線結構,不讓水墨任意化開,金甫珉刻意運用了這種虛實質感對比,把觀眾置放於過去與現在之間,強化了時空轉移的效果。在《楊花瀑布》(Lot 1244)中,她繼續棄用傳統東方水墨山水畫的散點透視法,採用了西洋畫的單一透視法和消失點來構造空間,沿著無人無車的高速公路前進,在畫中心卻是中國水墨風景的靜謐氛圍,中西美學在此處有了巧妙的結合。畫面中的建築物、山丘和公路各自組成三角形,工整地排列在畫面上,富韻律的斜線為靜態的景色增添動感。東方繪畫中特有的墨色暈染之美及以線條界定空間的觀念,在出現在金甫珉的作品,並得到嶄新的演繹。藝術家致力平衡理想與現實、過去與現在,透過她的作品,觀者彷彿穿梭時空,認識過去,繼而把握現在,同時展望將來,相信城市在積極發展的同時,傳統的雅趣絕對是可以保存和轉化的。
出版
CAIS Gallery, Diary of Drifting, exh. cat., Seoul, Korea, 2010 (illustrated, pp. 16-17).
展覽
Seoul, Korea, CAIS Gallery, Diary of Drifting, 11 March-2 April 2010.

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拍品專文

By condensing the past and the present into integrated fragments, Kim Bo Min expressed her idea in the form of an inspirational painting, harmonically merging the ideas of the ancient literati with the architectural environment of the modern world.

Modern regions of Korea are recreated in traditional aesthetics with Kim's synthesis of topographical accuracy and oriental painting's fluidity. The ochre tone of Korean ink emanates static mountain scenery in Map of Gahoe (Lot 1243)as she assumes an aerial perspective where single point perspective creates a sense of spatial dislocation. The grid of architectures populates over the mountain like a detailed puzzle to form its larger landscape, distancing the viewer again with its mute and isolated ambiance. The black plastic tapes define the rigid structure of the buildings to disturb the sinuous gradations of ink, premeditated in Kim's intention to situate the audience in between past and present to escalate the sensation of displacement. Continuing to employ one point perspective and vanishing points, the muted serenity of ink painting is also present in Yanghwa Waterfall (Lot 1244) as the highway is void of bustling cars and humans. The lyrically repetitive diagonal angles amplify this motionless landscape as Kim neatly forms triangular outlines of buildings, mountains and highway. The effect of ink-wash in oriental paintings, and its use of lines for spatial delineation are augmented in this work to gain new philosophy as Kim strives to balance between ideal and reality; past and present by inviting the viewer to travel through time in her creation, to observe the past afresh, grasp the present and look forward into the future, and to finally realize that the advancement of the modern world can coexist with the splendor of the past.

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