細節
安冨洋貴
Ground iv–Seeking

鉛筆 紙本 裱於木板 (二聯作)
2006年作
簽名:安冨洋貴

展覽
2007年7月27日-8月11日「Stars Popping Out From The Chaos」Spiral Garden 東京 日本
2008年8月3日-9月7日「第10 Firenze賞展」 雪梁舎美術館 新潟 日本  

安冨洋貴運用看似簡單的黑白色系,創造出豐富而有詩意的世界,深深吸引觀者的五感。畫作如無聲黑白電影所擷取出來的畫面,召喚著觀者成為故事的主人翁,重新建構雨傘被丟落前所發生的故事。觀者好比在午夜漫遊時,不小心掉下雨傘,地面上的雨水倒影著雨傘,形成兩個雨傘的影像,而實體的透明塑膠傘面卻不合常理的重疊、交融在一起,或許正暗示著雨傘的主人漸行漸遠。我們甚至可以想像雨滴灑落在雨傘上,交織出如鼓聲的節奏,光線經過水面反射照映我們觀者本身。畫者擅於捕捉瞬間的感受,並融入深刻感情達至詩意般的情境,卓越的畫風技巧呈現出多樣的質感,獨具匠心的構圖,充份展現安冨洋貴過人的才華與藝術涵養。
展覽
Tokyo, Japan, Spiral Garden, Stars Popping Out From The Chaos, 27 July-11 August 2007.
Niigata, Japan, Setsuryosha Museum, The 10th Firenze Award Exhibition, 3 August-7 September 2008.

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拍品專文

Delicately working within the simplicity of black and white, Hiroyuki Yasutomi creates a rich and complex monochromatic world which captivates all five of the senses. Like a still image from an old silent movie, the cropped composition and gradation in grey beckon the viewer to imagine oneself stumbling upon the intertwined umbrellas on a midnight stroll. In the reflecting water, the two umbrellas appear further aligned than they are, perhaps an innuendo to the departed owners of the umbrellas while the transparent vinyl surfaces paradoxically overlap and melt with one another. We can even hear the falling water creating a drum-like beat as it falls onto the umbrella, while the light reflects off the pooling water towards us. The extraordinary depiction of such varied textures, the sensuousness of a fleeting moment in time, infused with such such depth of emotion and elements of poetic expression, convey both Yasutomi's intellectualism and artistic brilliance.

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