Jan Kraeck, called Giovanni Caracca (Haarlem before 1550-1607 Turin)
Jan Kraeck, called Giovanni Caracca (Haarlem before 1550-1607 Turin)

Portrait of Vittorio Amedeo (1587-1637) and Emanuele Filiberto (1588-1624), Dukes of Savoy, full-length, in red and silver costumes with red hoses, lace collars and cuffs

Details
Jan Kraeck, called Giovanni Caracca (Haarlem before 1550-1607 Turin)
Portrait of Vittorio Amedeo (1587-1637) and Emanuele Filiberto (1588-1624), Dukes of Savoy, full-length, in red and silver costumes with red hoses, lace collars and cuffs
oil on canvas
114 x 84.7 cm.

Brought to you by

Sabine Dalmeijer
Sabine Dalmeijer

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

Vittorio Amadeo (1587-1637) and Emanuele Filiberto (1588-1624) were the sons of Duke Carlo Emanuele I, Duke of Savoy (1562-1630), who ruled over his duchy from 1580 to 1630. By his marriage to Infanta Catalina Micaela, the daughter of Philip II, King of Spain, he had gained a lot of influence. Accordingly, he re-organized his residence and his capital, Turin, and strategically started patronizing the arts. This patronage was highly programmatic, aimed at providing a suitable setting for his court. Vittorio Amadeo would eventually follow in his father's footsteps, both as ruler of the duchy and as prolific collector of works of art. His brother Emanuele Filiberto would be nominated Viceroy of Sicily by his cousin, king Philip III of Spain, and was to invite the young Anthony van Dyck to Sicily in 1624, who also painted his portrait.

The Dutch artist Jan Kraeck, or Giovanni Caracca, was appointed court painter to the Savoy in Turin in 1568 and stayed in function until his death in 1607. He mastered the international court style in portraiture popularized by the court painter of Philip II in Madrid, Antonis Mor. Kraeck's many portraits of the members of the Savoy family were instrumental in Carlo Emanuele I's ambitions to advance the fortunes of his dynasty.

We are grateful to Maria Kusche for confirming the attribution, on the basis of photographs (written communication, 13 October 2010).

More from European Noble and Private Collections incl. Fine Paintings

View All
View All