A GERMAN AMARANTH, TULIPWOOD, PALISANDER AND MARQUETRY BOMBE COMMODE
A GERMAN AMARANTH, TULIPWOOD, PALISANDER AND MARQUETRY BOMBE COMMODE

CIRCA 1750

Details
A GERMAN AMARANTH, TULIPWOOD, PALISANDER AND MARQUETRY BOMBE COMMODE
CIRCA 1750
The associated Sarrancolin marble top above two long graduated drawers, one divided, inlaid overall with tulips, carnations, other flowers, birds and butterflies, above a shaped apron, on splayed tapering legs, the handles replaced
32½ in. (83 cm.) high; 45¾ in. (116 cm.) wide; 22½ in. (57 cm.) deep
Provenance
Purchased in Paris circa 1860 by the 3rd Countess Torrebella, later Mrs. Russell M. Gordon of Kirkcudbright for the Palacio do Collegio, Madeira.
Thence by descent to Captain D.O. Fairlie of Myles, sold Christie's London, 9 December 1993, lot 66.

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Victoria von Westenholz
Victoria von Westenholz

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Lot Essay

The serpentined commode, designed in the Louis XV picturesque manner, is decorated with birds and butterflies amongst a paridisical flowered shrub, recalling exotic Indian chintzes. Its airily entwined tendrils, springing from a fruiting pomegranate and clasped in a tripartite-cartouche frame of scrolled-ribbon bands, features on a writing-table supplied in the late 1750s to the duc d'Orleans by the widow of the Parisian ébéniste Jean-Pierre Latz and Denis Genty (offered by Christie's Monaco, 2nd September 1993, lot 173).

Recalling the fruit and flowers portrayed in the chinoiserie furniture patterns published by Johann Michael Hoppenhampt in 1753, the design of the marquetry is in turn related to the oeuvre of the Spindler family workshops in Bayreuth and Potsdam around 1760 (S. Sangl, 'Spindler', Furniture History Journal, Leeds, 1991, pp. 22-34).

A pair of closely related commodes, probably of a slightly earlier period and more monumental form, was sold anonymously, Christie's London, 19 May 1993, lot 185.

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