AN EXCEPTIONAL VICTORIAN BRASS FOUR TRAIN MUSICAL, QUARTER-CHIMING AND STRIKING EIGHT DAY CALENDRICAL 'EXHIBITION' SKELETON CLOCK
A PRIVATE COLLECTION OF ENGLISH SKELETON CLOCKS (LOTS 117-134)
AN EXCEPTIONAL VICTORIAN BRASS FOUR TRAIN MUSICAL, QUARTER-CHIMING AND STRIKING EIGHT DAY CALENDRICAL 'EXHIBITION' SKELETON CLOCK

CIRCA 1860. IN MODERN PURPOSE-MADE DISPLAY CASE

Details
AN EXCEPTIONAL VICTORIAN BRASS FOUR TRAIN MUSICAL, QUARTER-CHIMING AND STRIKING EIGHT DAY CALENDRICAL 'EXHIBITION' SKELETON CLOCK
CIRCA 1860. IN MODERN PURPOSE-MADE DISPLAY CASE
CASE: the two-section ebonised and giltwood case with glazed front and side panels to the upper section, fretwork panel to its rear, the glazed front lower section with shelf DIAL: the silvered and chased chapter ring with skeletonised centre, subsidiary rings above for 'MUSIC & CHIMES/SILENT', the day of the month and 'CAMBRIDGE CHIME/OXFORD CHIME', further subsidiary rings below for music indication inscribed 'GOD SAVE THE QUEEN/THE BLUE BELLS OF SCOTLAND/THE MINSTREL BOY/MARCH OF THE MEN OF HARLECH/AULD LANG SYNE/HOME SWEET HOME/GREAT GOD WHAT DO I SEE AND HEAR', also for annual calendar and days of the week, with hour and quarter trip repeat lever to III, music trip lever to IX, automatic or manual music change to VIII, blued steel quatrefoil hands MOVEMENT: the substantial scroll-pierced frames joined by eight double-screwed pillars, quadruple chain fusees, train wheels with six crossings, playing the music with twenty-one hammers on sixteen bells and two gongs via 7 in. wide brass pin barrel, chiming the quarters on a nest of eight bells with eight hammers or four gongs, striking the hours on further gong, with monometallic English lever balance to gilt platform escapement; winding key
The clock -- 25½ in. (64.5 cm.) high; 16¼ (41.5 cm.) wide; 10 in. (25.5 cm.) deep, excluding gongs
The case -- 68½ in. (174.5 cm.) high; 23½ in. (59.5 cm.) wide; 15½ in. (39.5 cm.) deep
Provenance
Norman Langmaid Collection, U.S.A.
Literature
D. Roberts, British Skeleton Clocks, Woodbridge, 1987, pp. 226-228, figs.a, b, c, d; F.B. Royer-Collard, Skeleton Clocks, London, 1969, pp. 115-1116 figs. 7-14/7-16.
Sale room notice
Please note the automatic change facility for the music work on this clock is incomplete and therefore the musical tune does not change daily. It can, however, be changed manually.
For further information please refer to department.

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Lot Essay

As Derek Roberts writes, very few musical skeleton clocks appear to have been made (p. 223). With its four trains, twenty four bells, seven gongs and full annual calendar, this is a particularly fine and complex example. Other musical skeleton clocks sold at auction in recent years include one by Ross sold at Christie's London, 1 July 2005, lot 97 (£62,400), also illustrated by Roberts (pp. 224-225) and a far less complicated example retailed by Crawford, Glasgow, sold at Christie's London (11 July 2003, lot 42, £34,655), a comparable clock to which is also illustrated in Roberts (p. 219, fig. 6/7).
The clock chimes the quarters on either eight bells or four gongs and plays one of seven tunes at the hour, using twenty-one hammers on sixteen bells. The tunes will change daily (although there is a provision for manual change) and the hymn ('Great God what do I see and Hear') is intended for Sunday. After the hymn plays, two extra gongs are used to sound 'Amen' -- a possibly unique feature of this clock.
In Royer-Collard and Roberts the clock is illustrated in a floral marquetry inlaid table-top case which appears to be an Edwardian replacement. The present owner has in turn replaced this with a more fully glazed case which displays the complex mechanism to greater effect. However, the marquetry case is still extant and can be made available.

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