A FRENCH ORMOLU-MOUNTED MAHOGANY TABLE DE MILIEU
A FRENCH ORMOLU-MOUNTED MAHOGANY TABLE DE MILIEU

IN THE MANNER OF ADAM WEISWEILER, BY FRANÇOIS LINKE, INDEX NUMBER 114, PARIS, LATE 19TH/EARLY 20TH CENTURY

Details
A FRENCH ORMOLU-MOUNTED MAHOGANY TABLE DE MILIEU
IN THE MANNER OF ADAM WEISWEILER, BY FRANÇOIS LINKE, INDEX NUMBER 114, PARIS, LATE 19TH/EARLY 20TH CENTURY
The rectangular inset fleur de pêcher marble top above a panelled frieze applied with a pierced srolling-vine mount, with one long fall-front drawer, on four basket-bearing caryatid supports joined by a loop stretcher centred with a basket, on spirally-fluted feet and frond-cast sabots, signed 'F. Linke', the lock stamped 'CT LINKE/SERRURERIE/PARIS' and numbered '114'
29¼ in. (74 cm.) high; 31 in. (79 cm.) wide; 24 in. (61 cm.) deep
Literature
C. Payne, François Linke, 1855-1946 - The Belle Epoque of French Furniture, Woodbridge, 2003, p. 125

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Lot Essay

This centre table is a variant of the celebrated table de dame made by Adam Weisweiler (1744-1820) and delivered to Marie-Antoinette's cabinet intérieur at Château de Saint-Cloud in 1874. In the 19th century it was subsequently bought by Empress Eugènie at auction and placed in her salon bleu at the Tuileries, where she gave her audiences.

Payne notes that François Linke first made this model circa 1891 under index number 114. Like the present lot, the first examples had fleur de pêcher marble tops and one, and therefore possibly this example, was made with a fall front secrétaire drawer (ibid, p. 125). An example of this table, also with a fleur de pêcher marble top, sold A Private Collection: Volume II, Sotheby's, New York, 19 April 2007, lot 151 ($72,000).

François Linke (d. 1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition was to be the pinnacle of his career, and prompted critics, such as Charles Dambreuse, to comment: L'Exposition de la maison Linke est le gros événement de l'histoire du meuble d'art en l'an de grâce 1900 (see C. Dambreuse, L'Art Industriel à l'Exposition de Meuble de Style - M. F. Linke, in Revue Artistique & Industrielle, Paris, July-August, 1900). Linke's international acclaim following the 1900 exhibition afforded him a high degree of financial stability, not only allowing him to establish a large showroom on the fashionable place Vendôme, but also to pursue new and further distant markets by exhibiting at other international shows. These included the St. Louis World's Fair in 1904, where he was again awarded a gold medal, Liège in 1905 and the Franco-British exhibition in London in 1908.

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