Henri Matisse
Henri Matisse
Henri Matisse
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Henri Matisse
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Henri Matisse

Jazz (D. books 22)

細節
Henri Matisse
Jazz (D. books 22)
the complete set of twenty pochoirs printed in colours, 1947, on Arches wove paper, with title, text and justification, signed in pencil by the artist on the justification, copy number 209, from the edition of 250 (there were also twenty hors commerce copies and a portfolio edition of one hundred), the full sheets (15 double-page and five single-page sheets), with deckle edges, the colours remarkably fresh and bright, some sheets with some minor foxmarks, generally in very good condition, loose (as issued), within the original paper wrappers with the title on the front, in the original grey paper-covered boards and slipcase, with the title and artist's name on a label on the spine, the boards and slipcase slightly worn(portfolio)
446 x 340 mm. (overall)
來源
Sonia Delaunay, with her inscription dated 4 Octobre 1977.
注意事項
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

榮譽呈獻

Charlie Scott
Charlie Scott

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拍品專文

Matisse had used a paper cut-out design in an early issue of VERVE but when Tériade first put forward the idea of an entire book using paper cut-out designs, Matisse initially refused. After some persuasion and further development of the technique, the artist was convinced and put the whole of his energy into the project, which he then presented to Tériade with the title Jazz, as the bold cut-out forms embodied a rhythm and dynamism that he associated with the sounds of Jazz music.

Matisse wrote: Ces images aux timbres vifs et violents sont venues de cristallations de souvenirs du cirque, de contes populaires ou de voyages. J'ai fait des pages d'écritures pour apaiser les réactions simultanes de mes improvations chromatiques et rythmes, pages formant un 'fond sonore' qui les porte, les entoure et protége ainsi leurs particularités (D. Fourcade, Henri Matisse,Écrits et propos sur l'art, Paris, 1972).

The artist's own poetic text concerning his art, as well as wider issues of life, accompanies the designs in a large round manuscript form. When the book was published in 1947 it met with an unprecedented success: De tous les livres de Matisse, Jazz est sans aucun doute le plus important: il provoque une véritable révolution dans l'oeuvre de l'artiste et dans l'histoire de l'art contemporain (Michel Anthonioz, Hommage Tériade, Paris, 1973, p. 125).