A PAIR OF REGENCY BLACK-PAINTED AND PARCEL-GILT ARMCHAIRS
Prospective purchasers are advised that several co… Read more
A PAIR OF REGENCY BLACK-PAINTED AND PARCEL-GILT ARMCHAIRS

CIRCA 1815 AND REDECORATED

Details
A PAIR OF REGENCY BLACK-PAINTED AND PARCEL-GILT ARMCHAIRS
CIRCA 1815 AND REDECORATED
Each caned back with a turned support flanked by padded arms above a reeded rail on lion monopodia supports terminating in paw feet (2)
Provenance
Anonymous sale; Christie's, New York, 18 October 2001, lot 213.
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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Lot Essay

The design of these chairs, reflecting the French antique manner, was inspired by patterns published in George Smith's A Collection of Designs for Household Furniture in 1808, in his 'noble pursuit after classical originals.' The overall form derives from an 1804 design for a 'Drawing room chair' (pl.56), while the palmette-enriched lion supports feature in plate 83. A virtually identical example is illustrated in E.T. Joy, The Country Life Book of Chairs, London, 1967, pl.70. Another closely related set attributed to Gillows and supplied to Lord Montgomerie (1773-1814) for Coilsfield, Ayrshire are illustrated in S.E. Stuart, Gillows of Lancaster and London 1730-1840, Vol 1, London, 1988, p.210, pl. 186. The popularity of such foliated monopodia was originally popularised by lion chimney-piece pilasters illustrated in G. B. Piranesi's Diverse maniere d'adornare i cammini, Rome, 1769.

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