A SILVER AND GOLD INLAID BRASS QUR'AN BOX (SUNDUQ)
VAT rate of 5% is payable on hammer price and at 2… Read more
A SILVER AND GOLD INLAID BRASS QUR'AN BOX (SUNDUQ)

EGYPT OR SYRIA, LATE 19TH CENTURY

Details
A SILVER AND GOLD INLAID BRASS QUR'AN BOX (SUNDUQ)
EGYPT OR SYRIA, LATE 19TH CENTURY
Of square form on four rounded corner legs with coffered lid, diamond-shaped latch, the body and lid all decorated with panels of thuluth and kufic, all surrounded by a ground of floral arabesques, scrolling vegetal shapes and flowering vine, reinforcing panels along the leading edges attached through applied pins, the interior lined with finely carved wooden panels with central inscription cartouche and geometric and floral arabesques, with mother-of-pearl inlaid stars and floral blossoms, good overall condition
18½ x 17¾ x 10¾in. (47 x 45.1 x 27.3cm.)
Special notice
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

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Andrew Butler-Wheelhouse
Andrew Butler-Wheelhouse

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Lot Essay

The inscriptions around the sides of this box are Qur'an II, sura al-baqara, v.255. The rosette at the centre of the lid is inscribed with the bismallah and Qur'an III, sura al-'umran vv.18-19 and v.25. Within the rosette is Qur'an LIX, sura al-hashr, v. 23 (part).

The late 19th century saw a strong fashion towards Mamluk revival work, in both crafts and architecture. Seen as a golden age in Egypt's history, the Mamluk era provided the basis for a new sense of territorial nationality. This new approach to representing modern Egypt appealed to both European officials active in Egypt and the Egyptian ruling élite.

A closely related Qur'an box to that offered here is in the Khalili Collection (Stephen Vernoit, Occidentalism, The Nasser D. Khalili Collection of Islamic Art, vol. XXIII, London, 1997, no.177, pp.228-29). The Khalili box was gifted to a Robert Hamilton Lang in 1897. He wrote in an album within the box that the box was the workmanship of a 'Mr. Parviss of Cairo' and that it was the exact copy of the box of 'an Egyptian Caliph of which the original I saw this year [1907] in the Arab Museum Cairo' (Vernoit, op.cit., p.230). The box to which Lang refers was made in the name of Sultan al-Nasir Muhammad and is published in Islamic Art in Egypt, exhibition catalogue, Cairo, 1969, no. 9. As well as that example, another 14th century Mamluk Qur'an box which may have inspired our revival version is published in F.Sarre and F.R.Martin, Die Ausstellung von Meisterwerken Muhammedanischer Kunst in München 1910, London, 1985, Tafel 156. A similar box sold in these Rooms, 24 November 1987, lot 113.

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