拍品 73
73
Pseudo-Pier Francesco Fiorentino (active Florence, second half of the 15th Century)
Pseudo-Pier Francesco Fiorentino (active Florence, second half of the 15th Century)

The Madonna and Child with a goldfinch, with the Infant Saint John the Baptist and an Angel

细节
Pseudo-Pier Francesco Fiorentino (active Florence, second half of the 15th Century)
The Madonna and Child with a goldfinch, with the Infant Saint John the Baptist and an Angel
tempera on panel
25¼ x 19¼ in. (64.1 x 49 cm.)
展览
Dublin, National Gallery of Ireland.

荣誉呈献

Alexis Ashot
Alexis Ashot

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拍品专文

The Pseudo-Pier Francesco Fiorentino is a name coined by Berenson to describe an artist 'who made a business of copying and piecing together figures from Fra Filippo, Pesellino and their followers' (Italian Pictures of the Renaissance. Florentine School, London, 1963, I, p. 171): it is now accepted that this body of works was not produced by one painter but rather by a workshop. This composition is based on the Madonna and Child by Pesellino in the Isabella Stewart Gardner Museum, Boston.