PIERRE ET GILLES (ACTIFS DEPUIS 1976)
" f " : In addition to the regular Buyer’s premium… Read more
PIERRE ET GILLES (ACTIFS DEPUIS 1976)

L'escale _ Petit matin _ Sacha

Details
PIERRE ET GILLES (ACTIFS DEPUIS 1976)
L'escale _ Petit matin _ Sacha
signé, daté et titré (au dos)
Photographie peinte marouflée sur aluminium encadrée par les artistes
image : 81.5 x 100.3 cm. (32 1/8 x 39½ in.)
Avec le cadre : 105.5 x 123.5 cm. (41½ x 48 5/8 in.)
Réalisé en 2003,pièce unique.
Provenance
Galerie Jérôme de Noirmont, Paris
Literature
E. Troncy, Pierre et Gilles : Sailors & Sea, Cologne, 2005 (illustré p.138/139).
D. Baqué, R. Durand, I.de Wavrin, C. Macel, Edition Spéciale Beaux-Arts Magazine, Qu'est-ce que la photographie aujourd'hui?, Paris, avril 2007 (illustré p.147).
Exhibited
Paris, Galerie Jéröme de Noirmont, Pierre et Gilles : Le Grand Amour, septembre-novembre 2004 (illustré en couleurs p au catalogue d'exposition).
Paris, Jeu de Paume, Pierre et Gilles, double je, 1976-2007, juin-septembre 2007 (illustré en couleurs p.347 au catalogue d'exposition).
Special notice
" f " : In addition to the regular Buyer’s premium, a commission of 7% (i.e. 7.49% inclusive of VAT for books, 8.372% inclusive of VAT for the other lots) of the hammer price will be charged to the buyer. It will be refunded to the Buyer upon proof of export of the lot outside the European Union within the legal time limit.(Please refer to section VAT refunds)
Further details
'L'ESCALE - PETIT MATIN - SACHA'; SIGNED, DATED AND TITLED ON THE REVERSE, UNIQUE HAND-PAINTED PHOTOGRAPH MOUNTED ON ALUMINUM IN ARTISTS FRAME.

Brought to you by

Elodie Morel
Elodie Morel

Lot Essay

The Sailor is your love, lost at sea. At first, he is simply the mirror image of your secret longing. He is the lingering pornography of your adolescence, a confection of schmaltz and purity. But one day _ in Marseille, of course _ he becomes real. You have stopped before the window of a tattoo shop. Something about those painful swallows, those burning, speared hearts, those dragons the color of veins, reawakens your embarrassing dream of The Sailor. You blush and, looking up to check your face in the reflection, are startled to see him beside you. In his face really there, or is it just part of the window display ? You turn quickly and speak the necessary words. The precious days of shore leave pass and are gone, and soon you watch the frigate taking The Sailor away from you, over the horizon to the zone of danger.

Months pass. You try to remember his body but see only the brilliant white of a standard-issue uniform. You try to remember his face but see only a cipher of synthetic perfection. He is already dead when you receive the telegram. "The Sailor died fighting bravely for his comrades. His last words were of you". Your eyes flood with tears. You run to the docks and, sobbing uncontrollably, gaze into the tattoo shop window. The Sailor is still there, a hand-colored photograph faded by the sun (Momus, Taschen Editions, 1993).

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