PIERRE ET GILLES (ACTIFS DEPUIS 1976)
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PIERRE ET GILLES (ACTIFS DEPUIS 1976)

Saïd _ Salim Kechiouche

Details
PIERRE ET GILLES (ACTIFS DEPUIS 1976)
Saïd _ Salim Kechiouche
signé, daté et titré (au dos)
Photographie peinte marouflée sur aluminium encadrée par les artistes
Image : 88 x 69.5 cm. (34 5/8 x 27 3/8 in.)
Avec le cadre : 106 x 87.6 x 5 cm. (41¾ x 34½ x 2 in.)
Réalisé en 1999, pièce unique.
Provenance
Galerie Jérôme de Noirmont, Paris
Literature
New Museum of Contemporary Art, Pierre et Gilles, New York, 2000 (illustré p.20 et 113).
Galerie Jérôme de Noirmont, Album Pierre et Gilles, Paris, 2002 (illustré p.161).
Exhibited
Bologne, Galleria d'arte Moderna Bologna, Appearance, janvier-mars 2000 (illustré en couleurs p.112 au catalogue d'exposition).
New York, New Museum of Contemporary Art; San Francisco, Yerba Buena Center of the Arts, Pierre et Gilles, septembre 2000-mai 2001 (illustré au catalogue d'exposition).
Paris, Galerie Jérôme de Noirmont, Pierre et Gilles : Arrache mon coeur, novembre 2001-janvier 2002 - Vienne, KunstHaus, février-mai 2002 (illustré en couleurs p.81 au catalogue d'exposition).
Paris, Jeu de Paume, Pierre et Gilles, double je, 1976-2007, juin-septembre 2007 (illustré en couleurs p.313 au catalogue d'exposition).
Special notice
" f " : In addition to the regular Buyer’s premium, a commission of 7% (i.e. 7.49% inclusive of VAT for books, 8.372% inclusive of VAT for the other lots) of the hammer price will be charged to the buyer. It will be refunded to the Buyer upon proof of export of the lot outside the European Union within the legal time limit.(Please refer to section VAT refunds)
Further details
'SAID - SALIM KECHIOUCHE'; SIGNED, DATED AND TITLED ON THE REVERSE; UNIQUE HAND-PAINTED PHOTOGRAPH MOUNTED ON ALUMINUM IN ARTISTS FRAME.

Brought to you by

Elodie Morel
Elodie Morel

Lot Essay

This portray of young Saïd was specially commissioned for Franç ois Ozon's second feature film Les amants criminels (also known as The Criminal Lovers). The plot was described as an overtly sexual approximation to the Hansel and Gretel fairy tale in which Luc and Alice, two troubled teenagers who happen to have a love-hate relationship based on power and submission, decide to commit a murder and assassinate a classmate, Saïd.

Saïd seems to have been captured in movement as he was walking away from the showers, half undressed and already soaked in his own sweaty passion...but then someone caught his attention. He stopped and turned his head around. His glance reveals a certain fury and self-assured confidence yet, at the same time he remains calm, staring directly in a defiant way at the observer as if the boy already knew what he would find in return.

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