Lot Essay
In the Hellenistic Period, artistic trends in depictions of Eros often capture the God of Love as a young boy, physically paunchy with childlike and even mischievous manners. As Bieber describes, (The Sculpture of the Hellenistic Age, p. 145) "after dancing, floating through the air, enjoying banquets, and shooting his arrows at young men and women, the mischievous boy is tired and falls asleep." Here, over-indulgence in wine contributed to his exhaustion. For a fine example in bronze in the Metropolitan Museum of Art, and another in marble in the Palazzo dei Conservatori in Rome, see figs. 616-618 and 620 in Bieber, op. cit.