WON SEOUNG WON
元性媛

七歲那年:母親鄉下的海岸

細節
元性媛
七歲那年:母親鄉下的海岸
彩色 相紙
版數:7/7
2010年作
簽名:Seoung Won

展覽
2010年5月13日-6月6日「七歲那年,1978年」Gana 藝術畫廊 首爾 韓國 (展品為另一版本)
2010年9月11日-12月4日「New Collection, New Collection」首爾攝影博物館 首爾 韓國 (展品為另一版本)
2010年11月26日-12月10日「Edition: The Expanded Genre」Interalia Art Company 首爾 韓國 (展品為另一版本)
2011年2月25日-3月25日「3 Artists」123畫廊首爾 韓國 (展品為另一版本)
2011年2月18日-3月18日「Hello Tomorrow」CAIS畫廊 香港 中國 (展品為另一版本)

出版
2010年5月《CAMERATa》首爾 韓國 (圖版為另一版數,第88頁)
2010年8月《Hyundae Munhak》首爾 韓國 (圖版為另一版數,封面)
2010年9月《Photoart》首爾 韓國 (圖版為另一版數,第106頁)
2011年2月《Singdoga》首爾 韓國 (圖版為另一版數,第341頁)

元性媛的解夢照片融合了她的童年回憶,以及超現實主義的奇異概念。故事之開端、中段和結尾皆沒有清晰地交代事件的發生經過,完全違反理性思維。然而事件的影像皆精緻而清晰,與模糊的夢幻景象形成對比。《七歲那年:母親鄉下的海岸 》(Lot 1486) 以純拼貼方法重構回憶,在收集、整理及分配的過程中,把平面細碎圖片組合出蒙太奇式時序,並以密集而重叠的象徵性畫面,把複雜的視覺及感情沈澱。元性媛善於構圖處理,她恰到好處地調節透視及幾何角度,敏銳地開闢著更大的空間。洪水氾濫鄉鎮,擴張到照片外緣,傾斜的視覺效果,使海浪在流轉,空間變得有動感。那些三角形屋簷、往上浮游的梯級,以至紙船的銳角都指向同一方向。元性媛述事的同時也引發出憂鬱的氣氛,她暗示在現代化的當下,童年回憶正在逐漸消失,卑微的鄉村被淹沒及遺忘。
出版
CAMERATa, Seoul, Korea, May 2010 (different edition illustrated, p. 88).
Hyundae Munhak, Seoul, Korea, August 2010(different edition illustrated, cover).
Photoart, Seoul, Korea, September 2010 (different edition illustrated, p. 106).
Singdoga, Seoul, Korea, February 2011 (different edition illustrated, p. 341).
展覽
Seoul, Korea, Gana Art Gallery, My Age of 7 in 1978, 13 May-6 June 2010 (different edition exhibited).
Seoul, Korea, Museum of Photography Seoul, New Collection, 11 September-4 December 2010. (different edition exhibited).
Seoul, Korea, Interalia Art Company, Edition: The Expanded Genre, 26 November-10 December 2010 (different edition exhibited).
Seoul, Korea, 123 Gallery, 3 Artists, 25 February-25 March 2011 (different edition exhibited).
Hong Kong, China, CAIS Gallery, Hello Tomorrow, 18 February-18 March 2011 (different edition exhibited).
拍場告示
The correct dimensions for the image size is: 105 x 175 cm. (41 3/8 x 68 7/8 in.).

拍品專文

Dismantled dream laden photographs of Won Seoung Won are gathered from her distant childhood memories fused in Pop-Surreralistic whim; the beginning, middle and ending of the story is unclear with episodic events, negating any rational reasoning, but the image of the events are crisply detailed and clear, visually contradicting the blurred sensation of a dream. My Age of Seven: The Sea in My Mom's hometown (Lot 1486) is reconstructed and reinterpreted nostalgia of Won in pure visual juxtaposition; accumulated fragments of flat pictures for a final photomontage-methodically sequential in the process of collecting, arranging and allocating; symbolic in its densely layered tableau for a contemplative mode of visual and emotional intricacies. Won's adept proficiency for composition is clear in her sharp understanding for the possibility of expansion of space with appropriate tuning of perceptive and geometric angles. Flooding the countryside outside of her photographic frame with intuitive visual tilts that roam the waves in action, providing dynamic spatial depths, the shape of triangular roofs, the escalating stairs and the sharp points of paper boats all angle in a sequential movement. Won successfully elicits melancholic aura whilst referencing to current events as she insinuates a childhood memory that is slowly diminishing together with these nostalgic and humble villages flooded and forgotten under the present day's modernization.

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