A RARE CARVED CINNABAR LACQUER CIRCULAR 'CRANES' BOX AND COVER
A RARE CARVED CINNABAR LACQUER CIRCULAR 'CRANES' BOX AND COVER
A RARE CARVED CINNABAR LACQUER CIRCULAR 'CRANES' BOX AND COVER
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PROPERTY FROM THE KAISENDO MUSEUM, YAMAGATA, JAPAN
明嘉靖  剔紅雲鶴壽字紋圓盒  《大明嘉靖年製》楷書刻款

明嘉靖

細節
剔紅雲鶴壽字紋圓盒  《大明嘉靖年製》楷書刻款
出版
Bijutsu Senshu Dai Hachi Kan, Cho Shitsu (Carved Lacquer), 1974, Fuji Art Publications, Japan, no. 59

榮譽呈獻

Aster Ng
Aster Ng

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拍品專文

The choice of motifs on this box is in keeping with the Jiajing emperor's keen interest in Daoism and the attainment of immortality. The botanical motifs of the lingzhi fungus symbolises immortality, as do the cranes on the top and sides of the box and this imagery is reinforced by the Shou character. In addition the combination of the bamboo and peony signifies the wish for peace and prosperity, Fugui ping'an, the bamboo and crane is a pun on the wish for unhindered peace, Yilu ping'an and finally the lingzhi and bamboo together symbolise birthday greetings, Zhushou.

Although no other box of this exact design appears to be published, compare the carving on the present example, particularly the depiction of the lingzhi fungus, with that found on a Jiajing-marked mirror box and cover from the Lee Family Collection sold at Christie's Hong Kong, 1 December 2009, lot 1828. The stylised lingzhi is also present on a Jiajing-marked dish in the Baoyizhai Collection included in the exhibition, Layered Beauty - The Baoyizhai Collection of Chinese Lacquer, Chinese University of Hong Kong, 2010, illustrated in the Catalogue, p. 116, no. 44. A Jiajing circular polychrome box in the Palace Museum, Beijing with a different arrangement of cranes around a Shou character is illustrated in Lacquer Wares of the Yuan and Ming Dynasties, The Complete Collection of Treasures of the Palace Museum, Commercial Press, Hong Kong, 2006, p. 179, no. 137.

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