AN IMPORTANT AND EXTREMELY RARE RHINOCEROS HORN DEER-FORM LIBATION CUP
AN IMPORTANT AND EXTREMELY RARE RHINOCEROS HORN DEER-FORM LIBATION CUP
AN IMPORTANT AND EXTREMELY RARE RHINOCEROS HORN DEER-FORM LIBATION CUP
AN IMPORTANT AND EXTREMELY RARE RHINOCEROS HORN DEER-FORM LIBATION CUP
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Prospective purchasers are advised that several co… 顯示更多 THE PROPERTY OF A EUROPEAN COLLECTOR
明十六/十七世紀

犀角雕「天祿永昌」臥鹿盃

細節
明十六/十七世紀  犀角雕「天祿永昌」臥鹿盃

盃呈臥鹿形,鹿前足交疊,顎下刻「天祿永昌」,以鹿的諧音「祿」寓意,後腿屈於身底,上刻如意雲紋。鹿頭圓雕昂起,角、眼、鼻成水平構成底足。雙角頸毛順貼背脊,脊間飾圓點紋,尾卷曲身後。整體刀法俐落,豪放有力。犀角料胡桃褐漸變金褐色。

此類鹿形犀角盃多製造於十七至十八世紀,數量不多。Jan Chapman論述連本盃在內共三個例子,同下書,見83-84頁,圖版56-58號。第一件為水松石山房舊藏,帶萬曆款和鲍天成款,後1987年於香港蘇富比拍賣,拍品490號。第二件為本盃,刀法最簡約,定年應更早,它尤其精妙之處,平時可作臥鹿擺設,由於鹿頭雕成平坦,倒轉盛液體亦能穩放枱面。第三件為葉義醫生舊藏,亦具同樣雙重功能。其他臥鹿盃例子,一件1973年11月20日於紐約蘇富比拍賣,拍品48號;另一件由Jules Speelman收藏。

此器源自愛丁堡John Warrack舊藏,後1974年11月12日於倫敦蘇富比拍賣,拍品134號,再於1970年代在倫敦購入。曾展出於1935-1936年倫敦皇家藝術學院《中國藝術國際展覽會》,展品編號2945。並錄於Francois Leroy著「Connaissance Des Arts」,載《Les coupesen corne de rhinoceros》,1978年7月,圖版4號;以及1999年倫敦出版Jan Chapman著《中國的犀牛角雕刻藝術》,83頁,圖版57號。
來源
John Warrack, LL.D., Edinburgh
Previously sold at Sotheby's London, 12th November, 1974, lot 134
Acquired in London in the 1970s
出版
Francois Leroy, Connaissance Des Arts, 'Les coupes en corne de rhinoceros', July 1978, no. 4.
Jan Chapman, The Art of Rhinoceros Horn Carving in China, London, 1999, p. 83, no. 57
展覽
Royal Academy of Arts, London, International Exhibition of Chinese Art, November 1935 - March 1936, illustrated in the Catalogue, p. 264, no. 2945
注意事項
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory, tortoiseshell and crocodile. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

榮譽呈獻

Aster Ng
Aster Ng

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拍品專文

This extremely rare cup is one of the finest examples of a small group of rhinoceros horn cups modelled in the form of deer or deer-like creatures dating to the 17th and 18th centuries. Two further examples are illustrated alongside the current cup by J. Chapman, The Art of Rhinoceros Horn Carving in China, London, 1999, pp. 83-84, nos. 56 and 58. The first, from the Water, Pine and Stone Retreat Collection, previously sold at Sotheby's Hong Kong, 25 November 1987, lot 490, is of particular interest because it bears both a Wanli reign mark and a Bao Tiancheng sealmark which helps to date this group. The present carving is of a more restrained and simple form possibly pointing to an even earlier dating. Unlike the Wanli-marked example, the present cup is ingeniously designed to rest comfortably on its wide base so the splendid carving can be admired but the head has also been cleverly carved to form the base for the cup and allow it to balance safely upside down. The second cup, illustrated by J. Chapman, formerly in the Dr. Ip Yee Collection is similarly designed as a dual purpose piece. Two further examples in this group include a cup sold at Sotheby's New York, 20 November 1973, lot 48 and another cup in the Jules Speelman Collection.

The inscription on the present cup is a play on the word lu which is a homophonous for both 'deer' and 'wealth'.

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