MING DYNASTY, EARLY 17TH CENTURY, MIGE ZHENCANG FOUR-CHARACTER SEALMARK TO THE BASE

细节

A LARGE AND SUPERBLY CARVED ARCHAISTIC 'CHILONG' LIBATION CUP
MING DYNASTY, EARLY 17TH CENTURY, MIGE ZHENCANG FOUR-CHARACTER SEALMARK TO THE BASE
The generously sized cup with an elegantly proportioned tapering body, finely carved around the mid-section in varying levels of relief with archaistic taotie masks on a leiwen ground between lappet and lotus scroll bands, the foot encircled by a narrow band of confronted archaistic dragons separated by small flanges, the cup flanked by a ridged flange below the rim and a handle formed by a large pair of chilong, one in descent, the other in ascent with its head peering over the rim at a further chilong on the interior of the spout beneath the rim bordered by keyfret, with fourteen further smaller qilong playfully clambering around the sides of the cup, the material of a rich deep amber tone darkening to chestnut at the core
7 1/2 in. (19 cm.) wide

出版

Francois Leroy, Connaissance Des Arts, 'Les coupes en corne de rhinoceros', July 1978, no. 7
Jan Chapman, The Art of Rhinoceros Horn Carving in China, London, 1999, p. 134, no. 143 (mark)

注意事项

Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory, tortoiseshell and crocodile. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

荣誉呈献

Aster Ng

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拍品专文

The sealmark on the present cup is illustrated and discussed by Jan Chapman, The Art of Rhinoceros Horn Carving in China, London, 1999, p. 132-134, no. 143 where the author suggests that the mark is likely to be an unrecorded studio name or the name of the person who commissioned the cup. The author notes that approximately one in ten rhinoceros horn carving carry some sort of inscription and that archaistic cups such as the present example, invariably have the inscription or mark, incised to the base.