A RARE EARLY MING TIANBAI-GLAZED MONK'S CAP EWER, SENGMAOHU
THE PROPERTY OF DR ELIZABETH SHING
明永樂

甜白釉僧帽壺

細節
明永樂  甜白釉僧帽壺

壺闊頸,歛腹,圈足。一側有流,呈鴨嘴狀,流與頸部流槽相通。另一側飾寬帶形曲柄,上下兩端均作如意雲頭形。

僧帽壺因壺口形似僧侶的帽而得名,為藏族佛教用器,始燒於元代。明永樂、宣德年間因漢、藏文化交流頻密,景德鎮御廠曾大量燒製僧帽壺。明永樂年間,御廠採用當地的優質原料製作瓷器,並在燒製白瓷工藝上取得重大的突破,燒製出釉色瑩潤,「白如凝脂,素猶積雪」,如白砂糖似的甜白釉。

榮譽呈獻

Aster Ng
Aster Ng

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拍品專文

This particular ewer form is a Lamaist Buddhist ritual vessel, which takes its name, sengmaohu monk's cap ewer, from the shape of its upper section, which resembles a Tibetan monk's hat. The Tibetan shape has its origins in the Yuan dynasty. Ewers of this form were made for the visit of the fifth Tibetan hierarch, Halima, to Nanjing in 1407, where he was invited by the Yongle emperor to officiate at religious services.

Among these and the gifts presented to high Tibetan Lamas would have been 'sweet white' monk's cap ewers similar to the current example. A number are still preserved in Tibet, and an example from the Tibet Museum was exhibited at the Shanghai Museum in 2001. See Treasures from Snow mountains - Gems of Tibetan Cultural Relics, Shanghai Museum, 2001, p. 177, no. 88. A similar ewer from the collection of Palace Museum, Beijing is illustrated in Monochrome Porcelain, The Complete Collection of Treasures of the Palace Museum, Hong Kong, 1999, p.109, pl. 100.

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