A LARGE MAHOGANY OPEN ARMCHAIR
A LARGE MAHOGANY OPEN ARMCHAIR
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A LARGE MAHOGANY OPEN ARMCHAIR

OF GEORGE II STYLE, ATTRIBUTED TO SIDNEY LETTS, CIRCA 1910

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A LARGE MAHOGANY OPEN ARMCHAIR
OF GEORGE II STYLE, ATTRIBUTED TO SIDNEY LETTS, CIRCA 1910
Carved throughout with flowers and foliage, the scrolled toprail with central lambrequin and eagles' heads above a shell and cartouche centred splat, the scrolled arms with further eagle's heads, the shaped cane seat with a red leather loose cushion on foliate cabriole legs headed by masks and with hairy claw and ball feet concealing brass castors
39 in. (99 cm.) high; 33 in. (84cm.) wide; 24 in. (61 cm.) deep

榮譽呈獻

Elizabeth Wight
Elizabeth Wight

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拍品專文

This chair is copied from the architect Sir John Soane's 'Chippendale chair', displayed at his museum in Lincoln's Inn Fields, and it forms part of a suite of related seat-furniture discussed by Eben Howard Gay in his Chippendale Romance, New York, 1915 (R.W. Symonds, 'Furniture in the Soane Museum', Country Life, 27 January 1950, pp. 220-1). Its serpentine frame is embellished with arabesque satyr masks emerging from bacchic lion feet and with garland-bearing eagles' heads in the 'antique' manner promoted by William Kent, Master Carpenter to King George II. The voluted cartouche splat derives from engravings by Johann Lauch (fl. 1724-57), such as were plagiarised in Thomas and Batty Langley, The City and Country Builder's and Workman's Treasury of Designs, 1740.
A very closely related chair from the collection of H. J. Joel, Esq., The Stud House, Childwick Bury, Hertfordshire was sold Christie's, London, 1 April 1993, lot 171, and again Christie's, London, 26 January 2011, lot 240 (£8,750).