A LOUIS XV ORMOLU-MOUNTED TULIPWOOD AND BOIS DE BOUT MARQUETRY COMMODE
THE PROPERTY OF A PRIVATE COLLECTOR (LOT 362)
A LOUIS XV ORMOLU-MOUNTED TULIPWOOD AND BOIS DE BOUT MARQUETRY COMMODE

BY BERNARD II VAN RISEN BURGH, CALLED BVRB, CIRCA 1750

Details
A LOUIS XV ORMOLU-MOUNTED TULIPWOOD AND BOIS DE BOUT MARQUETRY COMMODE
BY BERNARD II VAN RISEN BURGH, CALLED BVRB, CIRCA 1750
With molded liver marble top, above drawers inlaid sans traverse, the angles with pierced foliate mounts, on cabriole legs with pierced foliate sabot, reverse of back leg stamped JME and indistinctly BVR..., with ink inscription AD # 13 and red paint inscription 152 to underside, paper label inscribed 15 to reverse, pencil inscription to underside of top Laslevius and another 768, a shipping label to underside of marble printed and inscribed Chenue ...RS 215 New York and another Chenue.S.A.R.L DE LORRAINE LAYETIER EMBDILEUR 5 Rue de la Terrasse, PARIS (179) RC SEINE E85799B 21 SEPT 1951 Stiebel Remise Bouvier NY, the mounts re-gilt, lacking some framing mounts
32½ in. (82.5 cm.) high, 38½ in. (98 cm.) wide, 19 in. (48 cm.) deep
Provenance
[Probably] Henriette Bouvier, Paris.
Acquired from Rosenberg and Stiebel, New York.

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Lot Essay

The son of a cabinet-maker of Dutch origin, Bernard II van Risen Burgh is arguably the most celebrated ébéniste of the Rococo period.
Although BVRB is perhaps most celebrated for the use of innovative materials in his furniture such as lacquer and porcelain, he is also credited with the reintroduction of floral marquetry decoration inspired by the legacy of Andre-Charles Boulle. BVRB is also renowned for the extraordinary design, burnishing and chasing of his ormolu mounts which are solely found on his pieces and do not recur, as was typically the case, on furniture by other makers. It is therefore assumed that he either designed his own mounts, a rare practice for an ébéniste of the period, or that they were reserved by his bronzier for his exclusive use.

This sophisticated commode displays BVRB's use of bois de bout marquetry and the high quality of his ormolu mounts. The angle mounts in particular, with their dynamic flowing form and typical pierced centers, relate to a bureau en pente sold from the Alexander Collection at Christie's, New York, 30 April 1999, lot 103 and most recently sold from the Segoura Collection at Christie's, New York, 19 October 2006, lot 237.

The name BOUVIER inscribed on the shipping label could refer to the legendary Parisian dealer Henriette Bouvier. In 1965, she donated her personal collection of French furniture to the Musée Carnavalet in Paris.

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