A SET OF FOUR LATE VICTORIAN CUT-GLASS AND SILVER PLATED TWIN LIGHT WALL APPLIQUES
A SET OF FOUR LATE VICTORIAN CUT-GLASS AND SILVER PLATED TWIN LIGHT WALL APPLIQUES

BY F.& C. OSLER LTD., BIRMINGHAM, LATE 19TH CENTURY

Details
A SET OF FOUR LATE VICTORIAN CUT-GLASS AND SILVER PLATED TWIN LIGHT WALL APPLIQUES
BY F.& C. OSLER LTD., BIRMINGHAM, LATE 19TH CENTURY
Each wall bracket supporting a faceted arched branch and bowl with spire finial and downward swept candle-arms, hung with a faceted droplet and prismic pendant canopy, the petal-shaped nozzles and drip-pans hung with faceted droplets, the back-plates each stamped 'F.& C. OSLER' and parts numbered respectively '1,2,3,4', some of the branches repaired at socket, later wired for electricity, the arm arrangement possibly adapted
19¼ in. (49 cm.) high (excluding fitments); 16¾ in. (42.5 cm.) wide overall; 11¼ in. (28.5 cm.) protrusion (4)

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Lot Essay

F. & C. Osler were established at Great Charles Street, Birmingham in 1807, the partners being Thomas Osler and William Shakespeare. After Thomas's son, Abraham Follet Osler, joined the partnership in 1831, the firm was moved to Broad Street, and engine power was added to the means of production allowing the manufacturing capacity to be greatly increased. They quickly developed an international reputation for producing the finest glass objects, often taking on large commissions for overseas clients such as that from Ibrahim Pascha in Egypt and that for supplying the sumptuous glass furniture for the Fateh Prakash Palace, Udaipur, India. One of their most famous creations was the 'crystal fountain' that formed the centrepiece of the 1851 Great Exhibition and they continued in the production of high-quality glass objects, specialising in chandeliers, well into the 20th century. (M. Mortimer, The English Glass Chandelier, Woodbridge, 2000, pp. 156-157).

An extensive Osler company archive as well as various examples of the companies work, survives and is held at the Birmingham Museum and Art Gallery.

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