A SUPERB AND EXTREMELY RARE CARVED CINNABAR LACQUER RECTANGULAR TRAY
剔紅錦雞牡丹紋長方盤

細節
元  剔紅錦雞牡丹紋長方盤

盤長方形,內飾一對錦雞蹓躂於牡丹叢間。外壁飾卷草紋,底髹黑漆。

此盤刻工精湛,器形獨特,僅見另一大小、紋飾相若例子之著錄,該例2005年5月30日於香港佳士得拍賣,拍品1335號,其足內壁刻「楊茂造」款。另名古屋德川美術館藏一件「張成」款長方盤,其花鳥紋飾亦相近,見1997年日本出版《Karamono, Imported Lacquerwork - Chinese, Korean and Ryukyuan(Okinawa)》,圖版19號。該器圖案橫向,與此器直式錦雞牡丹紋不同。

此器源自日本私人收藏。
來源
A Japanese private collection

榮譽呈獻

Aster Ng
Aster Ng

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拍品專文

The present tray is exceptional for the superb quality of carving and its unusual form.

This rectangular tray is extremely rare and only one other closely comparable example appears to have been published. A tray of almost identical size and design but with the addition of a Yang Mao zao mark incised on the inner side of the foot was sold at Christie's Hong Kong, 30 May 2005, lot 1335.

Another closely related Zhang Cheng-marked rectangular tray with similar birds and flowers, from the Tokugawa Art Museum, Nagoya, was illustrated in Karamono, Imported Lacquerwork - Chinese, Korean and Ryukyuan (Okinawa), Japan, 1997, no. 19. The composition on the Tokugawa example is read horizontally, while the present lot is oriented in a vertical direction.

The subject of two birds in flight amidst flower and foliage was very popular during the Song and Yuan dynasty, and can be found most often in a circular composition as on a dish or round box, where the bodies of the birds and their long flowing tail feathers form a circular motion. See, for example, the dish from the Tokugawa Art Museum, included in the same exhibition, and illustrated in the Catalogue, ibid., no. 21.

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