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拍品專文
US$87,000-112,500
With original fitted green presentation box with concealed compartment containing a contemporary purpose-made key of spiral pattern.
Since their first appearance in the 16th century, ring watches have always been emanating great fascination, be it because of their decorative aspect, be it the horological tour de force needed to construct a perfectly functioning movement of, for the period, such small size to be set into a piece of jewellery. Production of these extraordinary pieces required exceptional skills and was therefore exclusively executed by the best watchmakers, jewellers and enamellers of the time, these masterworks reserved for their most distinguished and wealthy clientele.
Particularly en vogue between the late 18th and mid-19th centuries, these ring watches represented an alternative to traditional jewellery. Their shapes varied from round and oval to rectangular, the bezels of the most luxurious examples were decorated with pearls or diamonds, those with the addition of a complication with off-centred dials allowing space for a visible balance or, even rarer, an automaton scene, some with an automaton but no repeating, some with no time indication.
Only a handful of ring watches with complications have appeared on the open market to date, and all have been unique pieces in their own right. Amongst these exceedingly scarce specimens, the present ring watch occupies a very special position: it features a particularly rare and unusual characteristic of a quarter repeating mechanism combined with two automatons in the form of two cupids in whose arms are striking the past hours and quarters alternately on two small bells atop the dial. Moreover, not only are the bezel and the visible balance diamond-set but, for a ring watch, the dial has the exceptional feature of having a painted scene. In summary, this previously unrecorded automaton and repeating ring watch must be considered one of the most outstanding examples of its kind ever to have come to light.
The finely painted enamel scene and the lavish case with its diamond-set bezel, sliding cover for winding and hand-set apertures and finely engraved adjustable shank are exemplary for the high quality work for which Geneva's enamellers, goldsmiths and jewellers enjoyed worldwide fame already at the time. The movement, highly impressive because of its complexity and small size, is remarkable for its conception, design and execution. It is made in the manner of the renowned watchmakers and goldsmiths Isaac Daniel Piguet (1775-1841) and Henry Capt (1773-1841), in partnership from 1802-1811.
For a black and white illustration of a ring watch with two jaquemarts (Vacheron & Constantin Collection, Geneva), see Le Monde des Automates II by Chapuis & Gélis, p. 5, pl. 294, rings with musical automatons on p. 44 op. cit., pl. 312 (Sir David Salomons Collection, London) & 313. A ring-watch with time indication only is illustrated and described in Pocket Watches by Reinhard Meis, p. 152, pl. 291.
A quarter repeating ring-watch of rectangular form, visible balance and comparable quarter repeating movement, however without automaton, is described and illustrated in Watches & Clocks in the Sir David Salomons Collection by George Daniels & Ohannes Markarian, p. 143.
With original fitted green presentation box with concealed compartment containing a contemporary purpose-made key of spiral pattern.
Since their first appearance in the 16th century, ring watches have always been emanating great fascination, be it because of their decorative aspect, be it the horological tour de force needed to construct a perfectly functioning movement of, for the period, such small size to be set into a piece of jewellery. Production of these extraordinary pieces required exceptional skills and was therefore exclusively executed by the best watchmakers, jewellers and enamellers of the time, these masterworks reserved for their most distinguished and wealthy clientele.
Particularly en vogue between the late 18th and mid-19th centuries, these ring watches represented an alternative to traditional jewellery. Their shapes varied from round and oval to rectangular, the bezels of the most luxurious examples were decorated with pearls or diamonds, those with the addition of a complication with off-centred dials allowing space for a visible balance or, even rarer, an automaton scene, some with an automaton but no repeating, some with no time indication.
Only a handful of ring watches with complications have appeared on the open market to date, and all have been unique pieces in their own right. Amongst these exceedingly scarce specimens, the present ring watch occupies a very special position: it features a particularly rare and unusual characteristic of a quarter repeating mechanism combined with two automatons in the form of two cupids in whose arms are striking the past hours and quarters alternately on two small bells atop the dial. Moreover, not only are the bezel and the visible balance diamond-set but, for a ring watch, the dial has the exceptional feature of having a painted scene. In summary, this previously unrecorded automaton and repeating ring watch must be considered one of the most outstanding examples of its kind ever to have come to light.
The finely painted enamel scene and the lavish case with its diamond-set bezel, sliding cover for winding and hand-set apertures and finely engraved adjustable shank are exemplary for the high quality work for which Geneva's enamellers, goldsmiths and jewellers enjoyed worldwide fame already at the time. The movement, highly impressive because of its complexity and small size, is remarkable for its conception, design and execution. It is made in the manner of the renowned watchmakers and goldsmiths Isaac Daniel Piguet (1775-1841) and Henry Capt (1773-1841), in partnership from 1802-1811.
For a black and white illustration of a ring watch with two jaquemarts (Vacheron & Constantin Collection, Geneva), see Le Monde des Automates II by Chapuis & Gélis, p. 5, pl. 294, rings with musical automatons on p. 44 op. cit., pl. 312 (Sir David Salomons Collection, London) & 313. A ring-watch with time indication only is illustrated and described in Pocket Watches by Reinhard Meis, p. 152, pl. 291.
A quarter repeating ring-watch of rectangular form, visible balance and comparable quarter repeating movement, however without automaton, is described and illustrated in Watches & Clocks in the Sir David Salomons Collection by George Daniels & Ohannes Markarian, p. 143.