拍品專文
See Adrian Henstock et al, Nottingham Salt-glazed Stoneware 1690-1800 Nottingham, 2010, p.36, no. 28 for a Nottingham stoneware octagonal flask named and dated '1717 Elizabeth Taylor'.
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A BRISTOL DELFT NAMED AND DATED POSSET POT, DATED 1743
細節
ENGLISH
A Bristol Delft Named and Dated Posset Pot, Dated 1743
of typical globular form with tall slightly everted neck, side strap handles, centering the spout, painted in blue on pale blue ground, the neck with acanthus, the body with long-tailed birds perched in trailing flowering branches issuing from rockwork, inscribed along the rear shoulder 'ELIZABETH TAYLOR' above the date 1743 (cover lacking, restored)
6½ in. (16.5 cm.) high
A Bristol Delft Named and Dated Posset Pot, Dated 1743
of typical globular form with tall slightly everted neck, side strap handles, centering the spout, painted in blue on pale blue ground, the neck with acanthus, the body with long-tailed birds perched in trailing flowering branches issuing from rockwork, inscribed along the rear shoulder 'ELIZABETH TAYLOR' above the date 1743 (cover lacking, restored)
6½ in. (16.5 cm.) high
來源
Louis L. Lipski; Sotheby Parke Bernet & co., London, The Lipski Collection of English and Irish Delftware, Part III, 1 March 1983, lot 413.
Michael Jackson, gift to Elizabeth Taylor circa 2000.
Michael Jackson, gift to Elizabeth Taylor circa 2000.
出版
Louis L. Lipski and Michael Archer, Dated English Delftware; Tin-glazed Earthenware 1600-1800, London, 1984, no. 598.
注意事項
By registering to bid, you hereby agree that the copyright, and any and all associated intellectual property and other rights for this item are exclusively retained by The Elizabeth Taylor Trust and/or Interplanet Productions, Ltd. Buyers of the Property will not receive the copyright or any related reproduction rights in the Property and all intellectual property rights are explicitly reserved by Seller and are freely exploitable by Seller in perpetuity. Furthermore, the use of Elizabeth Taylor’s name, photograph or likeness may not be used relating to this item without the express written permission of The Elizabeth Taylor Trust and/or Interplanet Productions Ltd.
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