A ROMAN MARBLE PORTRAIT HEAD OF AISCHYLOS
PROPERTY ACQUIRED BY MARTIN ARMSTRONG FOR PRINCETON ECONOMICS
A ROMAN MARBLE PORTRAIT HEAD OF AISCHYLOS

CIRCA 1ST CENTURY A.D.

細節
A ROMAN MARBLE PORTRAIT HEAD OF AISCHYLOS
CIRCA 1ST CENTURY A.D.
Likely based on a Greek original of the late 4th century B.C., lifesized, his head turned slightly to the left, fashioning a full beard and moustache composed of thick overlapping locks, his lips slightly parted, with a straight nose and high cheekbones, the almond-shaped eyes with thick lids, the forehead creased, his comma-shaped locks brushed forward and bound in a thin fillet
13 1/8 in. (33.7 cm.) high
來源
Peter Jay Sharp Collection; Sotheby's, New York, 14 December 1993, lot 64 (cover illustration).

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拍品專文

Aischylos (525-456 B.C.) is often characterized as the Father of Greek drama. He was the first of the three ancient Greek tragedians whose works have survived (the others being Sophocles and Euripides) -- amongst his notable works: The Persians; Seven Against Thebes; The Suppliants; The Oresteia; and Agamemnon.
There are a few different portrait types that have been assigned by scholars as representations of Aischylos, without assurance, as no portrait with an identifying inscription survives. According to Richter (Portraits of the Greeks, p. 77), it is likely that the Greek original portrait upon which the Roman copies are based was erected in Athens by decree of the orator Lycourgos in the late 4th century (more than a century after his death) together with portraits of Sophocles and Euripides. The abundance of Roman copies have been identified as the "unassigned" poet by its repeated association with portraits of the other dramatists.