Charles Brooking (? 1723-1759 London)
Charles Brooking (? 1723-1759 London)

A '74' and a frigate in a stiff breeze in the Channel, with coastal craft and other shipping beyond

細節
Charles Brooking (? 1723-1759 London)
A '74' and a frigate in a stiff breeze in the Channel, with coastal craft and other shipping beyond
oil on canvas
22 x 30½ in. (55.9 x 77.5 cm.)
來源
Sir Bruce Ingram, O.B.E., M.C. (1877-1963), London; (+), Sotheby's, London, 24 June 1964, lot 37, illustrated (£350 to Frinton, possibly on behalf of the following).
Mrs. Perpetua Ingram; Christie's, London, 23 June 1972, lot 49, illustrated (£6,300 to the present owner).
出版
D. Brook-Hart, British 19th Century Marine Painting, Woodbridge, 1974, pl. 39.
D. Joel, Charles Brooking, 1723-1759 and the 18th Century British Marine Painters, Woodbridge, 2000, Joel pp. 146-7, no. 232B,
展覽
Aldeburgh, Festival of Music and the Arts and Bristol, City Art Gallery, Charles Brooking, 1723-1759: Paintings, Drawings and Engravings, 9 June-30 July 1966, no. 13 (shown only in Bristol, lent by Mrs. Perpetua Ingram).

榮譽呈獻

Arne Everwijn
Arne Everwijn

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拍品專文

Sir Bruce Ingram, managing editor of the Illustrated London News (and grandson of its founder), was also the assembler of one of the most important of all twentieth-century collections of maritime painting, including a remarkable group of seventeenth-century Netherlandish seascapes centering on the work of Willem van de Velde the Elder and his son, the Younger. A 'passionate advocate' of Britain's maritime heritage and character, Ingram championed the need for a National Maritime Museum in the years leading up to that institution's foundation, devoting extensive space to the issue in the ILN, and presented part of his collection to the Museum, making 'a notable gift to the nation'.

This proved to be one of Brooking's most appealing compositions, a variant of which is illustrated on the cover of both the 1966 exhibition catalogue and the catalogue raisonné (op. cit., no. 232E).

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