Blas de Ledesma (active Granada 1602-1614)
Blas de Ledesma (active Granada 1602-1614)

An open watermelon, pears in a Chinese porcelain bowl, apples in a wicker basket, apricots and glassware, on a stone ledge, arches beyond with two exotic birds; and Pears in a wicker basket, figs and apples in Chinese porcelain bowls, with further pears, figs, apples and glassware, on a stone ledge, arches beyond with two birds

細節
Blas de Ledesma (active Granada 1602-1614)
An open watermelon, pears in a Chinese porcelain bowl, apples in a wicker basket, apricots and glassware, on a stone ledge, arches beyond with two exotic birds; and Pears in a wicker basket, figs and apples in Chinese porcelain bowls, with further pears, figs, apples and glassware, on a stone ledge, arches beyond with two birds
oil on canvas
30½ x 38¼ in. (77.4 x 97.2 cm.)
a pair (2)
來源
Anonymous sale; Sotheby's, London, 11 July 1979, lot 76.
Private collection, London.
出版
R. Torres Martín, Blas de Ledesma y el Bodegón, Madrid, 1978, pp. 114-5 and 191-2, nos. 81-82, illustrated.

拍品專文

A contemporary of Juan Sánchez Cotán, Blas de Ledesma is one of the earliest exponents of Spanish still-life painting and an important influence on still-life artists such as Juan van der Hamen y Léand Pedro de Camprobin.
Blas de Ledesma worked in Granada between 1602 and 1614, where he specialised in decorative painting and designed a vault for the room of the Moracabes of the Alhambra. The austere simplicity and the emphasis on the central axis in Ledesma's compositions possibly influenced the approach to the genre adopted by Juan Sánchez Cotán and by Francisco Zurbarán later in the century. He often reused motifs in his works; the cut watermelon in the lower left of the second painting can be also seen in a still- life in a private collection (see R. Torres Martin, op. cit., p. 178, no. 70).

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